Traveler of the Century by Andrés Neuman Page B

putting him in his place, next Friday I shall be more disagreeable and less indulgent. Mademoiselle Gottlieb, said Hans, clearing his throat. (Yes? she asked abruptly.) If you will allow me, I would like, well, I would like to applaud your brilliant comments on Schlegel and Lucinde . Why, thank you, Monsieur Hans, Sophie smiled and rubbed one side of her hand with the other, you will have noticed that, while I try not to contradict my guests, when asked what I think of Napoleon, I am hard pressed to agree with the restorationists. Nevertheless, my dear friend (when he heard the word friend Hans’s heart skipped a beat), if I may be so bold as to clarify something concerning the French Revolution (please, do go ahead, said he), I assume we both defended it this evening because of our loyalty to certain convictions, but in order to remain true to my own beliefs I must remind you of something you did not mention. Of the many things for which we could reproach the Jacobins, one is their horror at French women demanding the right to participate in public life. This is why I said that we need an intimate revolution as well as political change. I hope you agree with me that the natural outcome of such a revolution, were it conducted properly, would be a change in public functions, allowing us women to aspire to parliament as well as needlework, although I assure you I have nothing against needlework, on the contrary I find it quite relaxing. In short, my dear Hans, I trust you do not think me fanciful, and I hope next Friday you will come up with an interesting response. Bertold! Bertold! There you are! I was beginning to think you’d run off with the gentleman’s
overcoat! Goodnight, and take care, Hans, it is dark on the stairs. Goodbye, thank you, goodbye, goodbye.
    As he made his way in a daze towards the front door of the Gottlieb residence, Hans heard his name being called from the staircase and stopped. Álvaro’s eyes flashed as he passed between two patches of darkness. My dear Hans, he said clapping him on the back, don’t you think the night is too young for two gentlemen such as us to go home?
    Tramping across frozen mud and dried urine, they left Stag Street behind them. The flickering gas lamps lent the market square an intermittent presence—its luminosity fluctuated the way an instrument changes chords, the gradient of the deserted cobblestones rose and fell, the ornate fountain vanished for an instant then reappeared, the Tower of the Wind became smudged. Álvaro and Hans crossed the square listening to the sound of their own footsteps. Hans was still struck by the contrast between day and night, between the colourful fruit and the yellow darkness, the throng of passers-by and this icy silence. He reflected that one of the two squares, the daytime or night-time one, was like a mirage. Gazing up, he saw St Nicholas’s lopsided towers, its slanting silhouette. Álvaro stared at it and said: One of these days it is bound to topple over.
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    Unlike in the surrounding countryside where night falls slowly, day ends abruptly in Wandernburg, with the same alarming swiftness as that with which the shutters swing shut on the windows. The evening light is sucked away as down a drain. Then the few passers-by begin tripping over barrels outside taverns, all the carriage gear, kerbstones, loose logs, household waste. Beside each doorway bags of refuse decompose, while drawn by the stench dogs and cats gather round eating as the flies buzz overhead.
    Looked at from the sky, the city is like a candle floating on
water. At its centre, the wick, is the gaslit glow of the market square. Beyond the square, darkness gains ground in an ever-widening circle. Threads of light spread out like a pattern of nerves along the remaining streets. Rising from the walls like pale creepers, the oil lamps scarcely illuminate the ground beneath them. Night in Wandernburg is not as black as a wolf ’s