Trapped

Trapped by Chris Jordan Page B

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Authors: Chris Jordan
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money?”
    Manning shakes his head, clears his throat. “I can’t talk
    about it, not to you and not to anyone,” he says, as if reciting
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    from a script. “That was made crystal clear. I have to do
    exactly what they say or he’ll die.”
    Shane sits back, digesting Manning’s strangely laconic
    response. So far, almost every sentence ends in “die,” or
    contains the word “death” or “kill,” and yet the big guy
    doesn’t look the least bit discouraged. To the contrary, he has
    the slightly satisfied expression of a man whose assump-
    tions have been confirmed.
    “Okay,” Shane says. “We’ve established there is an abduc-
    tion in progress, and that you believe your son’s life to be in
    danger. Have you received proof of life? An indication that
    Seth is still alive?”
    Manning breaks eye contact, such as it is. His small,
    delicate jaw juts forward. “Stay out of this,” he says. “I read
    your card. If you’re former FBI you know what can happen.”
    “What about Kelly?” I demand. Somehow I’m on my feet,
    trembling with anxiety and agitation. “Is she with your son?
    Is that what happened? Has she been kidnapped, too?”
    Manning rubs his temples, avoids looking at me. “Never
    heard of her,” he says. “Seth never mentioned anyone by
    that name.”
    For the first time I get a strong sense that he’s lying. He
    may not have met my daughter—what adult male brings
    home an underage girl to meet his daddy?—but he’s heard
    of her for sure. Mos def, as Kelly would say.
    Shane leans in closer. His whole body seems to come into
    sharp focus, as if to demonstrate that he could, if provoked,
    crush the smaller man like bug.
    “Are you aware that your son originally made contact
    with Mrs. Garner’s sixteen-year-old daughter on the Internet?
    That he took her skydiving, and apparently gave her flying
    lessons, all without her mother’s consent?”
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    Chris Jordan
    Manning shakes his head. “I can’t discuss this.”
    Shane leans closer still. His voice becomes softer, but
    somehow no less forceful. “You are in deep trouble, sir. You
    are out of your depth. Let me help.”
    “I can’t do that. Leave my house at once, both of you.”
    “Tell me what happened,” Shane suggests. “I’ll take it
    from there.”
    Edwin Manning suddenly erupts, shaking his head so hard
    he almost spins out of the seat. “Go away!” he insists. “I don’t
    know about your daughter,” he says, turning to me, meeting
    my eyes for the first time. “If she’s with Seth, they’ll kill her,
    too. Do you understand? You have to let me handle this. You
    must. It’s the only way.”
    Shane’s hands are suddenly gripping my upper arms,
    pulling me away. Anticipating, almost before I quite know it
    myself, that I’m about to launch myself at Manning, scratch
    out his lying eyes.
    “We’re leaving,” Shane announces. “If you change your
    mind, call me. I can help.”
    Couple miles down the road, heading out of the millionaire
    enclave, Shane pulls over so I can throw up. Kneeling in the
    darkness by the side of the road, the taste of dirty pennies in
    my mouth. Shane keeping back, not tempted to hold my head,
    because he knows what’s going on, why this has happened.
    It’s not fear that’s makes me sick. It’s anger.
    20. In The Bunker
    Twelve hundred miles to the south, Ricky Lang heads for
    the bunker. A concrete cube, ready-made and then buried under
    a load of dirt and gravel long before Ricky was born. Suppos-
    edly it dates from the Cuban missile crisis. Some crazy white
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    97
    man shit, blow the whole world to pieces. The way he heard, a
    Cuban contractor buried the thing, all in a panic, convinced
    Fidel was coming to town on a rocket. Kept his family there for
    a few weeks, then walked away, never looked back. Whatever,
    Ricky’s been familiar with the bunker since he was a kid, when
    he used to play hide the weenie with some of the trailer girls
    down there. The

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