they were slightly in awe of the nice middle-class young lady their son was walking out with. She supposed some such term as ‘walking out’ would be the one they’d choose.
‘No, please,’ she said. ‘Don’t leave on my account. I can only stay a few minutes anyway.’
And it was a few minutes. Afterwards she thought she might have done better not to have gone at all, since she and Paul had not managed to have any real conversation. The surgeon was pleased with him; he might get quite a bit more movement in the knee, probably not the full amount, but enough to get around. No, crutches, then? No, no crutches. He thought perhaps a nice stick with a swan on the handle. Out of hospital, probably by the end of the week, then a convalescent home in Dorset for a month after that. Looking forward to that, never seen Dorset. Had she ever been? And so it went on, until she was able to take her leave. After a second’s hesitation, she bent to kiss him, and felt his father and stepmother exchange a glance. Then she was off down the ward as if all the fiends in hell were after her. She might have deceived his parents about the warmth of her regard, but she was under no illusion that she’d deceived Paul.
Not long after the telegram arrived, Elinor was standing on the terrace when once again a postman turned into the drive. This time he was carrying a big brown-paper parcel entwined with thick, hairystring. It was addressed to her parents. Already fearful of what it might contain, she took it into the conservatory where Rachel sat by their mother, who lay stretched out on the sofa. She’d hardly moved since the news of Toby’s death. Her skin seemed to have slackened, as if she’d shrunk away inside it. Until recently, she’d still been considered a beautiful woman, though nobody would think so now. Again, the image of a moist white slug came into Elinor’s mind. It filled her with guilt, but then, almost at once, her impatience returned. She couldn’t bear the weeping and wailing that punctuated her mother’s long silences. Elinor was determined not to grieve, and particularly not to grieve
like that
. Her own first reaction to the news had been a blaze of euphoria; immediately her fingers itched to grab a brush and paint. Grief was for the dead, and Toby would never be dead while she was alive and able to hold a brush.
But now here the three of them were. They looked at the parcel, trying to decipher the postmark, and then at each other.
‘Well,’ Rachel said.
Suddenly sick of the suspense, Elinor began trying to unfasten the knots, but her fingers felt swollen and stiff.
‘Ring for Mrs Robinson,’ Mother said. ‘She’ll have some scissors.’
Mrs Robinson’s eyes widened when she saw the parcel. She looked, rather shamefacedly, excited, as indeed she had when the telegram arrived. She’d been genuinely fond of Toby, but still, his death was drama in a humdrum life. She’d talk about him in the village post office; no doubt the family’s bereavement had enhanced her status there.
‘It’ll be his things,’ she said. ‘They send them back. They did with Mrs Jenkins’s lad.’
The scissors were duly fetched and the string cut, but even before the first layers of brown paper had been stripped away something entirely unexpected entered the room: the smell of the front line. Filthy water, chlorine gas, decomposition – and because it was a smell, and not a sight, Elinor was defenceless against it. She walked, stiff-legged, to the window where she looked out over the lawn andtrees, not seeing anything, every nerve and muscle in her body fighting to repudiate that smell.
When she turned back into the room they’d got the parcel unwrapped. Tunic, belt, a periscope, breeches, peaked cap, puttees, boots – all reeking of the same yellow-brown stench. Elinor’s mother touched the tunic, timidly, stroking the sleeve nearest to her. At first, she seemed entirely calm, but then her mouth twisted, a crease
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