Time Travel: A History
does not wait for his earlier selves to play their roles; he manipulates them urgently. The narrator says: “Everyone makes plans to provide for their future. He was about to provide for his past.” Taken all in all, this story is a snake pushing its own tail while musing about whether the effort is necessary.
    The author, churning out stories on his manual typewriter to pay the bills in Southern California, trying to make his plots plausible and his characters convincing, has his own problem with free will. He makes his people into puppets, the strings flickering in and out of our sight. Their own view is foreshortened. Only the omniscient author, with his penciled diagrams, sees everything at once. We readers are caught up in the story, remembering the past, anticipating the future; we are mortals, for whom now means now.

    It’s not easy to get past that, in reading stories or in living our lives. As Heinlein puts it, we must make “a strong and subtle intellectual effort to think other than in durational terms, to take an eternal viewpoint.” Free will cannot be easily dismissed, because we experience it directly. We make choices. No philosopher has yet sat down in a restaurant and told the waiter, “Just bring me whatever the universe has preordained.” Then again, Einstein said that he could “will” himself to light his pipe without feeling particularly free. He liked to quote Schopenhauer: Der Mensch kann wohl tun, was er will; aber er kann nicht wollen, was er will. Man can do what he will, but he cannot will what he wills.
    The free will problem was a sleeping giant and, without particularly meaning to, Einstein and Minkowski had prodded it awake. How literally were their followers to take the space-time continuum—the “block universe,” fixed for eternity, with our blinkered three-dimensional consciousnesses moving through it? “Is the future all settled beforehand, and only waiting to be ‘pushed through’ into our three-dimensional ken?” asked Oliver Lodge, the British physicist and radio pioneer in 1920. “Is there no element of contingency? No free will?” He begged for a sort of modesty. “I am talking geometry, not theology, and it would be a stupid mistake to pretend to decide questions of high reality by aid of mere groping analogies and mathematical analysis….The human race has not been in existence very long; it began its scientific studies very recently; it is still scraping on the surface of things, the three-dimensional surface of things.” We may say the same, a century later.
    —

    PHILOSOPHERS DID NOT NEED the space-time continuum to tell them that there were problems about free will. As soon as the rules of logic were added to the human tool kit, the ancients found themselves capable of constructing the most amusing puzzles. Human language switches between past and future with a simple change of tense, and this can trap the unwary.
    “For what is and what has come about, then, it is necessary that affirmation, or negation, should be true or false,” Aristotle said. In other words, statements about the present and statements about the past are either true or false. Consider the proposition There was a sea battle yesterday. True or false. There is nothing in between. So it is natural to consider whether this applies to statements about the future. There will be a sea battle tomorrow. By Saturday this will be true or false, but must it be either true or false now ? Put in terms of language and logic, these propositions look identical, so the same rules should apply. There will be a sea battle tomorrow. If it’s not true or false, what else is there?
    Aristotle remained unconvinced. He carved out an exception for propositions about the future. Where the future is concerned, he felt logic needed room for another state of things: call it indeterminate, contingent, unfixed, unknown, up for grabs…The modern philosopher finds this clumsy.
    By the weekend, there will have been a

Similar Books

Mad Cows

Kathy Lette

Inside a Silver Box

Walter Mosley

Irresistible Impulse

Robert K. Tanenbaum

Bat-Wing

Sax Rohmer

Two from Galilee

Marjorie Holmes