Time to Murder and Create
an antic projectionist reversing the film and drawing the bullet back into the barrel of the gun. In the new version that I wanted to superimpose on reality, all my shots were on target. There were no ricochets, or if there were they spent themselves harmlessly, or Estrellita spent an extra minute picking out peppermints in the candy store and wasn't in the wrong place at the wrong time, or--
    There was a poem I'd had to read in high school, and it had nagged at me from somewhere in the back of my mind until one day I went to the library and ran it down. Four lines from Omar Khayyam: The moving finger writes, and having writ
    Moves on. Nor all your piety and wit
    Can call it back to cancel half a line
    Nor all your tears wash out a word of it.
    I had tried hard to blame myself for Estrellita Rivera, but in a certain sense it wouldn't stick. I had been drinking, certainly, but not heavily, and my overall marksmanship that night could not be faulted. And it was proper for me to shoot at the robbers. They were armed, they were fleeing from one killing already, and there were no civilians in the line of fire. A bullet ricocheted. Those things happen.
    Part of the reason I left the force was that those things happen and I did not want to be in a position where I could do wrong things for right reasons. Because I had decided that, while it might be true that the end does not justify the means, neither do the means justify the end.
    And now I had deliberately programmed Henry Prager to kill himself.
    I hadn't seen it that way, of course. But I couldn't see that it made too much difference. I had begun by pressuring him into attempting a second murder, something he would never have done otherwise. He had killed Spinner, but if I had simply destroyed Spinner's envelope I'd have left Prager with no need ever to kill again. But I'd given him reason to try, and he had tried and failed, and then he'd been backed into a corner and chosen, impulsively or deliberately, to kill himself.
    I could have destroyed that envelope. I had no contract with Spinner. I'd agreed only to open the envelope if I failed to hear from him. I could have given away the whole three thousand instead of a tenth of it. I had needed the money, but not that badly.
    But Spinner had made a bet, and he'd turned out a winner. He had spelled it all out: "Why I think you'll follow through is something I noticed about you a long time ago, namely that you happen to think there is a difference between murder and other crimes. I am the same. I have done bad things all my life but never killed anybody and never would. I have known people who have killed which I've known for a fact or a rumor and would never get close to them. It is the way I am and I think that you are that way too..."
    I could have done nothing, and then Henry Prager would not have wound up in a body bag. But there is a difference between murder and other crimes, and the world is a worse place for the murderers it allows to walk unpunished, as Henry Prager would have walked had I done nothing.
    There should have been another way. Just as the bullet should not have ricocheted into a little girl's eye.
    And try telling all that to the moving finger.
    Mass was still going on when I left. I walked a couple of blocks, not paying much attention to where I was, and then I stopped at a Blarney Stone and took communion.
    IT was a long night.
    The bourbon kept refusing to do its job. I moved around a lot, because every bar I hit had one person in it whose company put me on edge. I kept seeing him in the mirror and taking him with me wherever I went. The activity and the nervous energy probably burned off a lot of the alcohol before it had a chance to get to me, and the time I spent walking around was time I could have more profitably spent sitting in one place and drinking.
    The kind of bars I chose had something to do with keeping me relatively sober. I usually drink in dark quiet places where a shot is two ounces, three

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