The Witches' Book of the Dead

The Witches' Book of the Dead by Christian Day Page A

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Authors: Christian Day
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energies of the board, the skull, and the ghost box. I truly hoped to make contact with Shawn, and really thought having his board might facilitate the connection. Sadly, Shawn didn't come through, but other spirits did. This is typical of any spirit session: you don't always get who you ask for, and the reasons may depend simply on the conditions of the moment as well as factors we do not understand about how the openings between worlds occur. Towards the end of the session, I began to get direct mental messages from spirits; the use of the board helped to catalyze the spirit energy of the room and helped me to create a direct channel.
    Proper Use of the Board
    If you approach the Ouija respectfully, as you would any spirit communication tool, you will have few, if any, difficulties. Any such device can attract low-level entities who wish only to engage in mischief, and the talking board is no different in that respect. Follow the same guidelines that I recommend for all spirit communications. Be rested and well grounded; invoke spiritual protection; set a purpose for the communication; and do not tolerate interfering presences. If the spirits become belligerent or you feel the energy take an angry or unsettling turn, end the session at once.
    Always work with one or more partners (two at a time is ideal; if you have a small group, participants can trade off). It also helps to have a person taking notes. People who use the board alone tend to become obsessed with it, which can lead to spiritual disturbances and mental problems.
    Always begin using the board by descending into a visionary state (see chapter 2 ). You and your partner(s) should each place your fingers lightly on the planchette, ask the question, and wait for response. Allow the planchette to glide around the board without trying to direct it, even if it spells outnonsensical words. What may seem like gibberish can actually make sense later. It may take a while—or even several sessions—for a “breakthrough” communication to be established from the Other Side.
    The Ouija can be a tedious method of communication, since responses are spelled out letter by letter. Much as I love the idea of the Ouija board, I often find using it to be the psychic form of cell phone text messaging, and I can't imagine how Pearl Curran turned out several books with one. Still, because one employs a lot of body action when using a board, the Ouija can also be more productive than some other methods, with fast contact. Two persons who are well tuned to the spirit world and to each other can often have amazing sessions. The board also can be combined with other tools, such as EVP recording, ghost boxes, and skulls. If you choose the Ouija as a method of spirit communication, just remember to approach it as any other tool, with respect for the process and for the spirits who come through.
    Spirit Scrying
    I saved my favorite tool of spirit communication for last. Scrying is a most ancient form of divination and spirit contact that involves gazing into a shiny or polished surface, such as a crystal ball, mirror, stone, or vessel of water or liquid. Scrying comes from the English term “descry,” which means “to succeed in discerning” or “to make out dimly.”
    I use the classic concave (curved inward) black mirror, a large crystal ball, and water divination in my own scrying practices, but any shiny surface works. If you want to learn to scry, you might want to experiment until you find what works best for you. The oldest and most common method of scrying is to gaze into the water of a lake, pond, or dark bowl; the necromantic lakes of the ancient Greeks probably served such a purpose in conjuring up the dead. Spring water was particularly sacred to the dead, coming as it does from deep within the Earth where the underworld is said to be. Ancient Egyptians preferred bowls of ink, blood, and other dark liquids.
    Nostradamus used a bowl of water set upon a brass tripod. He

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