Kai had to rewrite a letter many times for fear that she would let him down.
“Sooner or later we have to give up what we have for what we believe, no?” Kai asked.
“We don't sacrifice ourselves for any irrational dream.”
“So we'll let Gu Shan sacrifice for us?” Kai said. She wondered if Jialin would find her passion unwise and childish, as he had indicated two weeks earlier. But it was not a disagreement with his principle but more of a sense of failing that made her question him. They had done nothing to save Gu Shan's life, she said now; would they also just let her die without waking the public up to the injustice? He was not wrong that she was planning to act on her own, she said; she had her microphone and she had her voice.
Someone called her name, and Kai turned around and saw the secretary waving at her and then pointing out Kai and Jialin to the security guards. She had to go, Kai said. Could she at least think over his words before doing anything, Jialin asked, but Kai, having little time to answer, left him without the promise he was hoping for. The guards looked at her with concern when she crossed the street. One of those people who was determined to discuss political issues with her, Kai said when the secretary asked her, and no, they might as well leave him alone, she said to the guards.
SOMEDAY, SHE WOULD LOSE her oldest son, Jialin's mother thought when she left his breakfast on the tree stump that served as a table. Apart from the tree stump, a chair, and a narrow cot, there was no other furniture in the shack. A heater made out of a gas can, which Jialin's mother filled three times a day with hot water, kept the shack slightly warmer than outside, and dampness clung to the sheet and quilt all year round. On one side of the shack there were piles of books placed on flattened cardboard boxes, a plastic sheet underneath. A shoe box of wires, tubes, and knobs—his radio, as Jialin had called the crudely assembled thing—sat on his cot, and a pair of headphones, a skeleton of wires and metal rings, sat alongside.
Jialin was not in the shack, and she wondered where he could be on this morning. He did not leave home often, and she was almost happy that she had a moment alone in his shack. When he was around he was polite; he thanked her for the food and hot water and clean laundry she brought over but he did not invite her to sit down. That Jialin was someone she would never understand was a fact she had long ago accepted, but like all mothers whose children are growing up and drifting away from them, she felt an urge to stay in his shack as long as she could, to cling to anything that she could use, when he vanished from her life, to reconstruct a son from memory. She picked up a book and flipped to a random page; someone had underlined the paragraph with thick red and blue marks—Jialin perhaps, or the previous owner of the book, but she would prefer to think that the book had no history but belonged entirely to her son. She looked at the words that she could not read—she was illiterate, and it was for that reason, Jialin believed, that she had been assigned as an undertaker of banned books in the factory that produced paper products. He had begged her to save some of the books for him; he had by then been ill with tuberculosis for a year, and a son isolated from the world was enough to turn a mother into a petty thief. Every day she took a book or two from the piles to be pulped and hid them under her clothes. The books came home with her body temperature. His face brightened when he saw the books, and for that rare happiness she, an honest woman who had not cheated a soul in the world, never regretted her crime.
Someone called out from the house to complain about the late breakfast, and she hurried back to the kitchen to get the meal ready for the rest of the family: her three younger sons, aged nineteen, sixteen, and fourteen, who would do no more than pick up the chopsticks laid out for
Francesca Simon
Betty G. Birney
Kim Vogel Sawyer
Kitty Meaker
Alisa Woods
Charlaine Harris
Tess Gerritsen
Mark Dawson
Stephen Crane
Jane Porter