touched her foot again, very lightly with the back of my hand, then I let my hand brush against her ankle. My chair was such that I could sit in that position quite easily. And her chair was such that her foot and my hand were concealed by the folds of her skirt. In any case, I hardly made any further movement, just shifted my hand slightly so I could touch her ankle. She was wearing stockings, of course.â
âDid she move?â asked Malgiolio.
âNot a whisker.â
âHa,â said Malgiolio with a little explosion of breath, then he lit another of his colored cigarettes.
âI sat like that for some minutes, not turning or giving any sign that I knew she was there. The music played. Out of the corner of my eye, I could see the young man whom I had seen with her before. He was her fiancéâdark-haired and handsome and quite athletic. As I watched him, still without shifting my head, I slowly turned my hand and grasped the girlâs calf just above her ankle. It was then that I became aware of her breathing. Absurd, donât you think? A young surgeon taking advantage of a girl at an outdoor concert?
âBut there was an intensity both within me and, or so I guessed from her breathing, within her as well. I massaged her calf, took my hand away, then massaged it again. She didnât move, didnât move forward, didnât move back. From the gardens, the wind blew the smell of lilac. I slipped my hand upward to the underside of her knee and thigh. Did her breathing grow louder? Perhaps not, but I could sense her behind me, almost feel her quivering. As I describe it, I realize that it seems that just a few minutes went by, but actually it was fifteen or twenty. But it was like nothing, so intent was I on the touching of her leg in its silk stocking. I was scarcely even aware of the music, just of a swirl of notes, and the rich smell of the blossoms which the wind blew to my face. As I touched the underside of her thigh, I massaged the muscle, squeezing and releasing it, while slowly I continued to thrust my hand further along her leg. She didnât move although I could feel the constant shiver of her muscles. The farther I reached, the more contorted became my arm behind me. I wasnât worried about anyone seeing. There was no one on the other side, and in that darkness I doubt anything would have been visible. At last I stretched my arm as far as I could and with the tips of my fingers I touched the silk of her underwear between her legs, but just barely, just a slight flickering of my fingers.â
He fell silent. I glanced at Dalakis, who was making deep lines on the tablecloth with his thumbnail.
âAnd she didnât move?â insisted Malgiolio.
âNeither forward nor back. My arm by this time was quite uncomfortable. I tried to move it farther without actually tipping in my chair, but another inch and I would have landed in her lap. I had also begun to worry that someone might notice her breathing, which seemed to mix with the strings and clarinet as if it were part of the music itself. And I was struck that she refused to move forward to let me increase her pleasure, that I could only thrum my fingers on the silk above her vagina.â
Dalakis sat back in his chair so hard that it creaked dangerously. âDidnât it strike you that she was a child?â
âShe had stopped being a child many years before. I could feel her, feel the heat and her wetness.â
âWhat happened next?â asked Malgiolio. There was something repulsive about his eagerness. One imagined his erection.
âNothing. The music came to an end. I moved my hand and more lanterns were lit. The girl, her aunt, and the young man left during the interval.â
âDid she make any sign to you?â I asked.
âNone. Perhaps she was a little red in the face. Clearly, she was embarrassed and never once turned in my direction. I, of course, stared at her
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