The Tin Drum

The Tin Drum by Günter Grass Page B

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Authors: Günter Grass
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along with her Stephan, to Auntie Kauer on Posadowskiweg, where we were forced to play ad nauseam with six to ten kids, a few of whom were always sick. Fortunately my drum counted as a toy, no building blocks were forced upon me, and a rocking horse was only shoved under me when an equestrian drummer with paper helmet was required. Auntie Kauer's black silk dress, buttoned a thousandfold, offered the score for my drum. I can safely say I dressed and undressed that skinny woman, all wrinkles, several times a day, buttoning and unbuttoning her with my drum, without ever thinking about her body.
    Our afternoon walks along avenues lined with chestnut trees to Jäschkentaler Forest, up the Erbsberg, past the Gutenberg Memorial, were so pleasantly boring, so silly and carefree, that even today I still wish I could go on those picture-book walks, holding Auntie Kauer's papery hand.
    Whether we were eight or twelve kids, we had to harness up. This harness consisted of a pale blue knitted cord that served as a shaft. Attached in six places to the right and left of this shaft were woolen bridles for a total of twelve kids. Bells dangled at six-inch intervals. Auntie Kauer held the reins, and we trotted klingalingalinging along in front of her, prattling, I sluggishly drumming, through autumnal suburban lanes. Now and then Auntie Kauer would strike up a song: "Jesus, for thee we live, Jesus, for thee we die," or "Star of the Sea, I greet thee," stirring the hearts of passersby as we offered up "O Mary, help me," and "Swe-ee-eet Mother of God" to the clear October air. As soon as we reached the main street the traffic had to be stopped. Trams, autos, and horse-drawn carriages came to a standstill as we sang "Star of the Sea" all the way across the avenue. Each time Auntie Kauer would thank the policeman who led us across with a papery crinkling of her hand.
    "The Lord Jesus will reward you," she promised, and rustled her silken dress.
    I was actually sorry that spring when, with his sixth birthday behind him, Oskar had to leave the buttonable and unbuttonable Fräulein Kauer, because of Stephan and along with him. As always when politics come into play, there had been violence. We were on the Erbsberg, Auntie Kauer was removing our woolen harnesses, the new growth glistened, and the twigs were beginning to molt. Auntie Kauer was sitting on a moss-covered stone marker on the path that pointed in different directions for one- to two-hour hikes. Like a maiden with no idea what spring does to her, she was tra-la-la-ing with jerking motions of her head normally observed only in guinea hens, and knitting us a new harness, devilishly red it was to be, but unfortunately I would never don it: for just then there were cries from the bushes, Fräulein Kauer fluttered up, and, pulling red yarn along after her, strutted with her knitting toward the bushes and the cries. I followed her and the yarn, and was soon to see more red: Stephan's nose was bleeding profusely, and a boy named Lothar, with curly locks and blue veins standing out on his temples, was squatting on the chest of the skinny tearful little fellow, and seemed determined to batter Stephan's nose in.
    "Polack," he hissed between blows. "Polack!" When, five minutes later, Auntie Kauer had us back in our light blue harnesses—I alone ran free, winding up the red yarn—she said a prayer for us that was normally only spoken between Offering and Transubstantiation: "Bowed with shame, full of pain and remorse..."
    Then down the Erbsberg and a stop at the Gutenberg Memorial. Pointing a long finger at Stephan, who was whimpering and pressing a handkerchief to his nose, she explained gently, "He can't help it if he's a little Pole." On Auntie Kauer's advice, Stephan had to withdraw from her kindergarten. Oskar, though he was no Pole and didn't think very highly of Stephan, declared his solidarity with him. Then Easter came and they decided to give the school a try. Behind his broad hornrimmed

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