again. The philosopher gives us a trenchant parenthesis: “(Can human beings change? The humor, and the sadness, of remarriage comedies can be said to result from the fact that we have no good answer to that question.)”
The Eleatics did not believe in change, in motion. When does one thing cease to be itself and become another? Diogenes walks back and forth in silence.
Can we change and stay the same? I remember. I repeat.
* * *
Dear Boris,
I am thinking of you in the bath, smoking a cigar. I am thinking of that day your zipper broke in Berkeley and it was summer and you had not worn your boxer shorts and you had to give a lecture, so you pulled out your shirttails and hoped that no breeze would blow and reveal Sidney to the audience of three hundred or more, and I am thinking of time and rifts and pauses and that you sometimes called me Red, Curly, and Fire Head, and I called you Ollie after your belly got a bit big and Izcovich Without a Stitch in bed and that’s all except that Bonden isn’t too bad, albeit a bit slow and baked. I am waiting for Bea and then Daisy to visit and Mama is good, and I’ve been thinking of Stefan, too, but about the light days, the laughs, the three Musketeers in the old apartment on Tompkins Place and that really is it. Love, Mia
* * *
Dr. S. talked to me about magical thinking. She was right. We cannot wish our worlds into being. Much depends on chance, on what we can’t control, on others. She did not say that writing to Boris was a bad idea, but then she never judged anything. That was her magic.
* * *
Lola brought me earrings, two miniature Chrysler Buildings. I had told her it was my favorite building in New York City, and she had rendered it twice in delicate gold wire. Holding them up, I couldn’t help thinking of the buildings in the city that had come as a pair, as twins, and a feeling of sorrow silenced me for a moment, but then I thanked her enthusiastically, tried them on, and she smiled. Looking at her smile, I realized how calm she was, how easy, how unflappable, and that these related qualities, which bordered on languor, were what drew me to her. I guessed that inside her head, the discourse that went on was also tranquil. My own head was a storehouse for multiloquy, the flux de mots of myriad contrarians who argued and debated and skewered one another with mordant parley and then started up all over again. Sometimes that internal babble wore me out. Lola wasn’t dull, however. I had met people who bored me stiff because they seemed drained of all internal conference and deliberation (the SMUGLY STUPID) and others who, whatever their inner capacity for complex cogitations, lived in an impenetrable box, immune to dialogue (the INTELLIGENT BUT DEAD). Lola belonged to neither camp, and even though her utterances were neither original nor witty, I felt an acumen in her body that was missing from her speech. Small alterations in her facial expression, a slow movement of her fingers, or a new tension in her shoulders when I spoke to her made me aware of how intently she was listening, and she seemed to be able to listen even while she was adjusting Flora’s shorts or putting a new bib on Simon. I suspect that she knew, without having to tell herself, that I admired her.
The offering of the Chrysler Buildings happened on a Saturday, if I am not confused, and I often am about days and dates, but as I remember it, Simon was asleep in a stroller, well strapped in, and Flora’s wig was not on her head. She clutched it tightly in her arms at first, sucked on a thick bunch of strands after that, meditating deeply on some subject known only to her, and once abandoned it entirely to run into the bedroom and examine the professors’ Buddha. All three looked exceptionally clean and shiny. They were off to visit Lola’s parents in White Bear Lake. When I admired the children’s outfits, Lola sighed and said, “If it will only
Linda Chapman
Sara Alexi
Gillian Fetlocks
Donald Thomas
Carolyn Anderson Jones
Marie Rochelle
Mora Early
Lynn Hagen
Kate Noble
Laura Kitchell