now the travelers may proceed, the sorceress at the crossroads has shown them the way, It's a desert, a lunar landscape, but one can see in her eyes that she regrets not being able to accompany them, to practice her skills in the company of Portuguese journalists, especially that rather more discreet one who moved away to look at the posters, how often life has taught us not to judge by appearances, as Joaquim Sassa himself is now doing, his mistake, modest man that he is, If we were to stay here you would be getting it on with the lady anthropologist, let us forgive him this vulgar expression, when men are together that's how they talk, and José Anaiço, presumptuous, but also fooled, replied, Who knows.
This world, we shall never tire of repeating, is a comedy of errors. Another proof of this maxim is that the name Orce Man should have been given to some old bones found not in Orce but in Venta Micena, which would make a nice palaeontological label, were it not for that name Venta, which translates as Sale, the sign and symbol of inferior merchandise. The fate of words is truly strange. Unless Micenae was a woman's name, before it became that of a man, like that celebrated Galician woman who gave her name to the town of Golegâ in Portugal, perhaps some Greeks from Mycenae, in flight from the demented Atridae, arrived in these remote parts, and anxious to reestablish the name of their native region, they happened to choose this place, much farther away than Cerbère, at the heart of hell, and never so remote as now, as we go sailing off. However difficult you may find it to believe.
The devil had his first abode in these parts, his were the hooves that scorched the ground and trampled the ashes, amid mountains that shivered with fear then and continue to do so to this day, the ultimate desert where even Christ would have allowed Himself to be tempted by that same devil, had He not already experienced the wiles of Satan, as one reads in the Bible. Joaquim Sassa and José Anaiço contemplate, what do they contemplate, the landscape, but this delightful word belongs to other worlds, to other languages, you cannot refer to what one sees here as a landscape, we have called it an infernal abode, but we are not altogether sure, for in places of damnation we're almost certain to find men and women with the animals that keep them company, until the moment comes to slaughter them in order to live, amid disasters and misfortunes, this is the place of exile where the poet who never visited Granada must have written his verses. These are the lands of Orce, which must have soaked up so much Moorish and Christian blood, to speak once more of the Dark Ages, but why speak of those who died so many years ago, if it is the land that is dead, buried within itself.
At Orce, the travelers found Pedro Orce, a pharmacist by profession, older than they would have imagined him, had they given the matter any thought. Pedro Orce did not appear on television, therefore we could not have known that he is a man in his sixties, thin in features and body, his hair almost entirely white, and were it not for his sober taste, which shuns any artifice, he could make up dark and
fairhair dyes at will in the secrecy of his laboratory, for he is skilled in these chemical concoctions. When Joaquim Sassa and José Anaiço enter the pharmacy, he is filling capsules with quinine powder, an old-fashioned medicament that avoids the powerful concentrations characteristic of modern prescriptions, while astutely preserving the psychological effect of awkward deglutination, followed as if by magic by immediate results. In Orce, which one must inevitably pass through to reach Venta Micena, travelers are rare now that the commotion of excavations and discoveries has passed, we do not even know where the skull of the town's oldest ancestor is kept, there in some museum awaiting a glass case with a label, normally any customers passing through buy
This world, we shall never tire of repeating, is a comedy of errors. Another proof of this maxim is that the name Orce Man should have been given to some old bones found not in Orce but in Venta Micena, which would make a nice palaeontological label, were it not for that name Venta, which translates as Sale, the sign and symbol of inferior merchandise. The fate of words is truly strange. Unless Micenae was a woman's name, before it became that of a man, like that celebrated Galician woman who gave her name to the town of Golegâ in Portugal, perhaps some Greeks from Mycenae, in flight from the demented Atridae, arrived in these remote parts, and anxious to reestablish the name of their native region, they happened to choose this place, much farther away than Cerbère, at the heart of hell, and never so remote as now, as we go sailing off. However difficult you may find it to believe.
The devil had his first abode in these parts, his were the hooves that scorched the ground and trampled the ashes, amid mountains that shivered with fear then and continue to do so to this day, the ultimate desert where even Christ would have allowed Himself to be tempted by that same devil, had He not already experienced the wiles of Satan, as one reads in the Bible. Joaquim Sassa and José Anaiço contemplate, what do they contemplate, the landscape, but this delightful word belongs to other worlds, to other languages, you cannot refer to what one sees here as a landscape, we have called it an infernal abode, but we are not altogether sure, for in places of damnation we're almost certain to find men and women with the animals that keep them company, until the moment comes to slaughter them in order to live, amid disasters and misfortunes, this is the place of exile where the poet who never visited Granada must have written his verses. These are the lands of Orce, which must have soaked up so much Moorish and Christian blood, to speak once more of the Dark Ages, but why speak of those who died so many years ago, if it is the land that is dead, buried within itself.
At Orce, the travelers found Pedro Orce, a pharmacist by profession, older than they would have imagined him, had they given the matter any thought. Pedro Orce did not appear on television, therefore we could not have known that he is a man in his sixties, thin in features and body, his hair almost entirely white, and were it not for his sober taste, which shuns any artifice, he could make up dark and
fairhair dyes at will in the secrecy of his laboratory, for he is skilled in these chemical concoctions. When Joaquim Sassa and José Anaiço enter the pharmacy, he is filling capsules with quinine powder, an old-fashioned medicament that avoids the powerful concentrations characteristic of modern prescriptions, while astutely preserving the psychological effect of awkward deglutination, followed as if by magic by immediate results. In Orce, which one must inevitably pass through to reach Venta Micena, travelers are rare now that the commotion of excavations and discoveries has passed, we do not even know where the skull of the town's oldest ancestor is kept, there in some museum awaiting a glass case with a label, normally any customers passing through buy
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