salon had come from, and the supper party and the alligator and the cat and . . .
âMiss Valmeyer!â
âWhat? Yes? Oh.â
âYou were dozing off.â
âOh, Iâm sorry. Only the sunlight is so warm.â
A muscle high in Lord Benedictâs cheek twitched. He looked from her to his sketchbook. âIt happens sometimes. Many subjects find it dull to sit still for so long.â
âSo what do you generally do with your subjects?â The instant Madelene spoke the words, a fresh blush rose in her. Her words sounded insinuating, almost flirtatious.
Thankfully Lord Benedict didnât seem to notice. âTalk can help.â
âTalk about what?â
He paused rather longer than necessary, and Madelene had the feeling of something being hidden away. In the end, however, Lord Benedict merely shrugged. âAnything, as long as you keep your eyes on the flowers.â
She dutifully lowered her gaze toward the primroses. âIâm not very good at small talk.â
Especially to potted plants.
âWhat do you talk about in the drawing rooms when youâre paying calls?â
âNothing, really.â
âBut you must say something.â
Madelene wound the string around her fingers. âNo one cares to hear what I have to say.â
âWhat makes you think that?â This time there was no mistaking his tone. He was annoyed, and that annoyance sent a strange liquid thrill sliding through her veins. Sheâd touched him, and it felt like a success. It made her ever so slightly bold.
âDo you want to hear what I have to say, Lord Benedict?â she asked softly.
For a moment, she thought he had not heard her, but his pencil stilled once more. âAnd if I said yes?â he said huskily. Lord Benedict raised his dark eyes to meet hers. âWhat then?â
âI . . . Iâm not sure,â she stammered, and had to suppress a groan.
I sound like such a child!
âI mean, that is, the usual topics of polite conversation are the weather and the roads and everybodyâs health.â
Suddenly, unexpectedly, Benedict began to chuckle. Madelene blanched. âWhat have I said?â
âIâm sorry.â He shook his head and brushed the one stray lock of hair back from his shoulder. âI canât help thinking that if those are our possible topics,
Iâm
going to doze off.â
Madelene smiled and instantly covered her mouth with her hand. âI think that would be most detrimental to our progress.â
âThere, we agree.â He stared hard at the page, and then at her.
âI wonder,â he said quietly. âWhat you would say if no one was listening?â
Madelene at once shifted her gaze toward the false reins in her hands and the flowers she was beginning to hate. She had to look at something, because she could not look at him. The gentle, thoughtful expression on his face threatened to make her blush, badly.
âI donât understand you. Are you teasing me?â
âNo. Iâm not. I just . . .â She heard Benedict set his pencil down. âYou donât like to talk, but your face . . . your expression speaks volumes. I can see it, but I canât understand it. I canât read it.â He was talking more to the page than to her. âI donât understand
you
, Miss Valmeyer.â
âBut you painted that other picture.â
He waved a hand dismissively. âI painted a frightened girl. I understand fear. Thatâs simple. But thatâs not . . . you.â He stopped and glared at the page. âThe longer I sit here, the longer I look, the more contradictions I see and the less I understand them.â He stopped and he swallowed. Madelene had the sudden impression he was literally swallowing the words heâd meant to speak. âYou want to be seen, but youâre afraid to be seen. You donât like to
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