The Silver Chalice
are getting to be the same kind of tyrant as your grandmother. I must do this, I must not do that. Why must I be blamed so much because I had a good meal this morning?”
    “You are no better than a disobedient boy,” protested the girl in a high but pleasant voice. “Why, oh why, did you allow yourself a cucumber? Did not the kind physician who came to see you no more than three days ago tell you to be more careful? He mentioned cucumbers particularly. You will suffer for this! And you will have to take those medicines he left. Young hemlock and syrup of squills——”
    “They turn my stomach,” complained the old man. “Such things are unfit for wild dogs!”
    “And now you insist on seeing this artist,” went on the girl. “Do you think you have the strength today? There is plenty of time. The artist can wait.”
    “He has come all the way from Antioch, my child, on the bidding of my good friend Luke. And there are reasons, of which you do not know, for showing him every courtesy.”
    The girl’s voice displayed more interest at once. “What is there about him that I haven’t been told, Grandfather? You must let me know now.”Without waiting for any response, she linked an arm firmly in his. “I shall go with you, then. And I shall see that the talk is a short one. You are getting tired, I can tell, and ready for a nice long nap.”
    Joseph of Arimathea shook his snow-white head sadly in agreement. “Yes, a very long nap, my little Deborra.”
    Basil had transferred his attention finally to the girl, and he found himself admiring the purity of her white throat and the animation of her eyes. He had little time to study her because Adam ben Asher joined him at the window.
    “You like her?” asked the caravan captain in a brusque tone.
    Basil answered cautiously. “Yes—if one may judge at this distance.”
    “You think her attractive?”
    “Yes, of course.”
    “I knew you did. I could see it in your eye.” Adam was keeping his gaze fixed on Basil’s face. “And now what will she think of you? I am more concerned about that.” His breathing seemed labored, an indication that his emotions were deeply involved. “I give you a word of warning, young silversmith. You must stick to your hammers and tools. We want no airs here, no posturing and posing.”
    Basil turned and looked steadily at him. “I know no reason for accounting to you for my conduct.”
    Adam seemed on the point of explosion. “I shall find a reason,” he said.
2
    The girl’s solicitude over her grandfather’s health had prevailed. It was two hours before Basil was summoned to the bedroom of the head of the household. Joseph was sitting up in a huge bed, looking small and thin on its snowy expanse, but refreshed and receptive. On a table beside him there was a half-empty wine cup of silver and a platter with the remains of a light meal. His granddaughter sat close at hand. She gave Basil one glance and seemed surprised to find him so young. Then she studiously lowered her eyes.
    “You are a boy,” said the old man in a voice that seemed too deep and full to issue from a frame so frail. He did not appear to be disturbed, however, for he did not labor the point. “You left my friend Luke in good health, I trust?”
    “He was fatigued with the journey from Antioch to Aleppo,” answeredBasil. “But after one night’s rest he started back alone to join one Paul of Tarsus. They are coming to Jerusalem together.”
    Joseph of Arimathea nodded his head gravely. “I wrote to Paul and advised against coming at this time, but I did not expect he would heed my warning. He scents danger and rushes always to meet it.” His eyes, which shone benignly in a forest of wrinkles, turned back to his youthful visitor. “I see you have brought your clay with you. Set to work at once. I am well rested today. When your subject is as old as I am, you must take advantage of every moment.”
    Basil heard this suggestion with a feeling of panic.

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