“That’s how the old komatiks, the sleds, was made. There wasn’t a nail in them. All lashed with sinew and rawhide.”
Nutbeem ignored the interruption. “I liked the way the boats looked, but I didn’t do anything about it. After a blowup with the feculent Times bloater—lying there on his waterbed playing the paper comb and drinking black rum—I flew up to Houston, Texas—don’t ask me why—and bought a touring bike. A bicycle, not a motorcycle. And I pedaled it to Los Angeles. The most terrible trip in the world. I mean Apsley Cherry-Garrard with Scott at the pole didn’t have a clue. I endured sandstorms, terrifying and lethal heat, thirst, freezing winds, trucks that tried to kill me, mechanical breakdowns, a Blue Norther, torrential downpours and floods, wolves, ranchers in single-engine planes dropping flour bombs. And Quoyle, the only thing that kept me going through all this was the thought of a little boat, a silent, sweet sailboat slipping through the cool water. It grew on me. I swore if I ever got off that fucking bicycle seat which was, by that time, welded into the crack of me arse, if ever I got pried off the thing I’d take to the sea and never leave her.”
The phone rang again.
“ Gammy Bird! Yut. Yut, Jack, he’s here. No, Nutbeem’s just gone to cover a fire. Marcus’s Irving station. Four Hands Cove. I dunno. They just give me a number. Yut. O.k. Soon’s he comes in. Quoyle, it’s Jack again. For you.”
“What stories you done this week?” Voice bullets shooting out of the receiver and into his ear.
“Uh. The truck wreck. I just finished that.”
“What wreck was that?”
“A semi lost it on the curve coming down into Desolation and rolled. Loaded with new skimobiles. Half of them fell in the water [77] and every boat in the harbor started hauling them out with grapnels. Driver jumped. Nobody hurt.”
“Don’t forget the shipping news.” The phone went dead.
“ NUTBEEM ! You better get on that fire before it’s out and you can’t get any nice pictures of leaping flames. And take the camera. It’s helpful when you have to take pictures.” Scratchy sarcasm.
“Why don’t you get a nice little rodney?” said Billy Pretty. “Oh now’s the time to pick up a beauty. You could jig for guffies on the weekend, get your picture took by tourists. You’d look good in a boat.”
But Nutbeem wasn’t ready to leave. “So, Quoyle, there I was back in London, starving again. At least I had my tape collection intact. But I knew I had to have a boat. I was in despair. You may think that the equation is ‘boat and water.’ It’s not. It’s ‘money and boat.’ The water is not really necessary. That’s why you see so many boats in backyards. Not having any money I was in despair. I spent an entire year reading books about boats and the sea. I began to hang about boatyards. There was one place where two young chaps were building a rowboat. They seemed to be doing a lot of planing—I’ve always thought planing rather jolly—and it came to me. Just like that. I would build my own boat. And I would sail it across the Atlantic.”
“ NUTBEEM !” roared Card.
“Oh go spell ‘pterodactyl,’ ” said Nutbeem, hauling on his jacket and tam-o’-shanter, crashing out the door.
“Christ, he’s forgotten the camera. Quoyle, Jack wants me to remind you about the shipping news. Go down to the harbormaster’s office and copy off the list of ships. You get the name, the date, vessel’s country of origin. They won’t give it to you over the phone. You have to go get it.”
“I was going to go this afternoon,” said Quoyle. “But can do it now. Where’s the harbormaster’s office?”
“Next to Pubby’s Marine Supply on the public wharf. Upstairs.”
Quoyle got up, put on his jacket. At least it wasn’t a wreck, all glass and dripping fluids, and the ambulance guys fumbling inside smashed mouths.
9
The Mooring Hitch
“The merit of the hitch is that, when
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