âDamn the phone! Hang up, Marty. The hell with whoever it is.â
âBut DirkâHello?â
âEllery, Martha.â
âEllery. Hel lo , dear.â
He wriggled at the relief in her voice.
âItâs Ellery. How are you? Why havenât we seen you? Where are you calling from?â
Dirkâs voice made some irritated sounds.
âI donât want to interrupt whatever you two are doing,â Ellery said. âIs Nikki around?â
âNikki, itâs for you.â
âIâll take it in the dressing room, Mar.â Nikki, quick.
âYes, do that!â Dirk.
âDirk.â Martha was laughing. âDonât mind him, Ellery. Heâs in one of his dedicated-artist moods. All right , Dirk! Why donât you drop in later, Ellery? Heâs really dying to see you. Me, too.â
âMaybe I will. If I can get away, Martha.â
âHere I am,â panted Nikki. âHang up, Mar! A girl has to have some privacy.â
âBye.â Martha laughed; and he heard the click.
âNikki?â
âYes.â
âIs it all right?â
âYes. Dirkâs got her occupied.â
âWhat happened?â
âYou at theâ?â
âYes.â
âAnd the characterâ?â
âStill here, waiting. Dirkâs doing?â
âYes. He picked tonight to want to read his book to Martha as far as heâs got. Heâs really terribly enthusiastic about it, so naturallyââ
âSay no more. But wasnât she ready to go out?â
âUh-huh. An appointment with a set designer ⦠she said. She phoned somebody with her back turned and left a message that Mrs. Lawrence couldnât make it at the last moment and would call tomorrow about another âappointment.ââ
âA message he didnât get. Okay, Nik. I was worried.â
âWhat are you going to do?â
âHang around here a while. Maybe Iâll drop in later.â
âOh, do!â
Ellery went back to his table.
Something new had been added during his absence. A thin small man in a dinner jacket had his palms planted on Van Harrisonâs table and was leaning over it, talking. The man had pointed ears and a Halloweâen smile and whatever he was saying amused him greatly. But it was not amusing Van Harrison. Harrison was looking ugly and old. His long, beautiful hands were clasped about his soup bowl and his knuckles showed pale points. Ellery had the oddest conviction that what Van Harrison wanted to do, more than anything else in the world at that moment, was to pick up the bowl and jam it over the thin manâs face.
Then the man in the dinner jacket turned his head slightly and Ellery recognized him. It was Leon Fields.
Fieldsâs syndicated column, Low and Inside , was the pièce de résistance of over six hundred daily newspapers serving the appetites for gossip, rumor, and innuendo of unestimated millions of the sensation-hungry. His juiciest paragraphs were headed: LEON FIELDS MEAN TODAY , and these dished out the filets mignons of his nightly shopping excursions in the supermarkets of Broadway and café society. As a famous wit remarked to Ellery one night at the Colony, while they watched Fields tablehopping, âOne hint that Leonâs in the neighborhood, and nobody goes to bed.â
Fields had the unadmired reputation of never losing his meat once he got the scent. On the Rialto it was earnestly said that nothing had been surer than death and taxes until Leon Fields came along.
Ellery had followed his career with clinical interest, and it had only recently dawned on him that Fields was a much-maligned character. The evidence was hidden and scattered, but it was there. Viewed without prejudice, Fieldsâs activities took on an almost moral blush. He never hounded the innocent; his victims were invariably guilty. Unsavory as some of his tidbits were, no one had ever been able
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