this idea?”
“Who?”
“Who do you think? Cook.”
“No, man, I just thought of it. Right now. What do you think?”
“I’m wondering who’s going to cover the cop shop while we’re both running with this.”
“Well, you both can trade off on it. Like you’ve been doing. And I can probably get some help from time to time from the GA group. Even if it was just you on this, I couldn’t cut you loose completely, anyway.”
Whenever general assignment reporters were pulled in to work the crime beat, the resulting stories were usually superficial and by the numbers. It wasn’t the way to cover the beat, but what did I care anymore? I had eleven days left and that was it.
I didn’t believe Prendergast for a moment and was not swayed by his column-one overture. But I was smart enough to know that his suggestion—whether truly his or Angela Cook’ s—could lead to a better story. And it had a better chance of doing what I wanted it to do.
“We could call it ‘The Collision,’” I said. “The point where these two—killer and victim—came together and how they got there.”
“Perfect!” Prendergast exclaimed.
He stood up, smiling.
“I’ll wing it in the meeting, but why don’t you and Cook put your heads together and give me something for the budget by the end of the day? I’m going to tell them you’ll turn the story in by the end of the week.”
I thought about that. It was not a lot of time but it was doable, and I knew I could get more days if needed.
“Fine,” I said.
“Good,” he said. “I gotta go.”
He headed on to his meeting. In a carefully worded e-mail I invited Angela to meet me in the cafeteria to get a cup of coffee. I gave no indication that I was upset with or suspicious of her. She responded immediately, saying she would meet me there in fifteen minutes.
Now that I was free of the daily story and had fifteen minutes to fill, I pulled the stack back over to the center of the desk and started reading the confession of Alonzo Winslow.
The interview was conducted by the lead detectives Gilbert Walker and William Grady at the Santa Monica Police Department beginning at eleven A.M ., Sunday, April 26, about three hours after Winslow had been taken into custody. The transcript was in Q&A format with very little description added. It was easy and fast to read, the questions and answers mostly short at first. Back and forth like Ping-Pong.
They began by reading Winslow his rights and having the sixteen-year-old acknowledge that he understood them. Then they went through a series of questions employed at the start of interviews with juveniles. These were designed to elicit his knowledge of right and wrong. Once that was established, Winslow became fair game.
For his part, Winslow fell victim to ego and the oldest flaw in the human book. He thought he could outsmart them. He thought he could talk his way out of it and maybe pick up some inside information about their investigation. So he readily agreed to talk to them—what innocent kid wouldn’t?—and they played him like a three-string bass guitar. Dum-de-dum-de-dumb. Getting every implausible explanation and outright lie on record.
I breezed through the first two hundred pages, skipping page after page of Winslow’s denials of knowing anything or seeing anything pertaining to Denise Babbit’s murder. Then, in very casual conversation, the detectives turned the questions toward Winslow’s whereabouts on the night in question, obviously trying to get either facts or lies on the record, because either way they would be helpful to the case—a fact was a marker that could help them navigate through the interview; a lie could be used like a club on Winslow when revealed.
Winslow told them that he was at home sleeping and his “moms”—Wanda Sessums—could vouch for him. He continually denied any knowledge of Denise Babbit, repeatedly rejected knowing her or anything about her abduction and murder. He held up like
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