The Post-Birthday World by Lionel Shriver Page B

expecting to bump into a low stone wall, and instead banging her nose smack against an Egyptian pyramid. Whatever she had run up against on Victoria Park Road, by accident, in innocence, and however wisely she had about-faced and soldiered in blind lockstep in the opposite direction, it was big. Briefly, a whole other life had opened up before her, and the fact that she declined to avail herself of it could not eradicate the image.
One other memory had haunted her all day. At the end of that lift home, Ramsey had drawn into the lay-by in front of this building. He should have kept the motor running, to indicate that at three a.m. he had no expectation of being asked up “for coffee” (a perilous nighttime invitation for any woman in Britain, since to issue this codified UK wink-wink you’d no need for cream and sugar). Instead he switched off the engine, and sat for what seemed a terribly long time—though it wasn’t—hands at rest in his lap with a dead quality. They were exquisite hands, with long, sinuous fingers and slender metacarpi, more those of a musician than a sportsman. Yet they lay on his thighs with corpselike inertness, the delicate dusting of blue cue chalk creased in his cuticles, lending them a ghoulish hue. He stared straight through the windshield, his face, too, at rest, almost empty; he might have been contemplating a list of groceries to pick up on the way home at a twenty-four-hour Tesco. Irina as well made no move to get out of the car.
But that wasn’t the memory that lingered so. After a beat, they had both resumed animation, and Ramsey got out. Irina remained seated, because she could tell he preferred to come round. He was a gentleman. He opened her door with the gravity of a chauffeur ushering the bereaved from a hearse. As ever, that hand hovered at the small of her back as she walked half a pace ahead. Yet as she rooted for her keys and proceeded to the door, she turned to find him still standing in the street—as if to take the next step onto the curb was to cross a line in the sand. Since he remained ten feet away and gave no indication of coming closer, that took care of any discomfiting question of a farewell peck on the cheek.
The two matching Georgian squares on which Lawrence and Irina lived were registered buildings, and in order to so much as change the outside color of the window frames from black to white their management company had to ask permission from the National Trust. (They said no.) So pristinely preserved was this estate that production companies like Merchant-Ivory often used it as a backdrop for historical films. Thus while standard aluminum London street lamps glared a rude orange, the lantern to Ramsey’s left was an iron reproduction gaslight from the nineteenth century. The bulb was flame-shaped, its glow antique. Cast in this theatrical light, golden on one side with his other half in shadow, Ramsey himself could have been acting in a period drama; his uncompromising verticality seemed a posture from an earlier age. Tall, gaunt, and darkly clad, his figure evinced a brooding solemnity she associated not with Snooker Scene but Thomas Hardy.
“Good night,” she said. “Thank you for dinner. I had a lovely time.”
“Yes,” he said. From lack of use and too many cigarettes, his voice was dry. “I did as well. Thank you for joining me. Good-night.” He stood there. “I’d say, ‘Safe home,’ but it looks like you’re going to make it.” A flickered smile.
She should have shot him a returning smile, and let herself inside. She didn’t. She looked at him. Stock-still before the curb, Ramsey looked back. Unlike the pause in the car, really only a moment, this suspension was a solid fifteen seconds—which once you have already exchanged “good-nights” has the touch and feel of about a year and a half. Something unsaid passed between them, and if Irina had her way it would stay unsaid, too. Forever. She turned to the door with the resolve of capping a