him.
âTell us about a case,â said Arzaky. âMaybe that way we can understand what you mean.â
âA boastful display of my skill is unworthy of this forum. I will tell of a case that is not mine, and that way you will know why we call them grasshopper hunters.â
While Sakawa spoke, his assistant, Okano, bowed his head as a sign of respect.
âMr. Huraki was the manager of a bank in the city of S. I wonât say the name of the city. In the spring itâs overrun with grasshoppers, but the inhabitants of the region refuse to kill them, believing they are good luck. A large sum of money disappeared from the bank; Mr. Huraki was not accused of stealing it. When the police showed up at his office they found no evidence that incriminated him, and the only thing that drew their attention to him was that Huraki was extremely nervous and accidentally stepped on a grasshopper that had come in through the window. Hurakiâs accountant, Mr. Ramasuka, whose reputation was spotless up until that point, was put in prison. He confessed to nothing, nor did he accuse anyone else; he spent the years he was locked up reading the old masters.
âTime passed. Ramasuka finished his sentence. By then Huraki was the director of a bank in Tokyo. Ramasuka was determined to take his revenge, but he couldnât imagine himself brandishing a sword or taking up a firearm. All that reading, all that thinking he had done wasnât to fill his head with ideas, but rather to clear his mind of trivial ideas and meaningless prejudices. He had learned to see what others overlook. Taking advantage of an open window, he entered Hurakiâs house one night: he didnât touch a thing; he just left a grasshopper in the middle of the room, on top of the tatami. Before dawn, the grasshopperâs singing awoke Huraki. The banker instantly remembered a verse by a poet from his city (this memory was part of Ramasukaâs plan):
The grasshopper you killed in your dream
Sings again in the morning.
âHuraki knew that he had been discovered. He killed himself that very night by drinking poison.â
The waiter, who had served wine to the detectives and water to the assistants, as dictated by The Twelve Detectivesâ protocol, offered a glass of wine to the old detective, who refused it.
âThus Ramasuka established the tradition of the grasshopper hunters: men and women capable of killing with insinuations, signs, invisible traces. But these warriors need a symmetrical oppositional force. I am part of that force. We donât send them to prison, of course, because no judge legislates on grasshoppers and butterflies and poems with secret meanings. But we write and publish our verdicts, and we often drive those responsible to disgrace, exile, silence, sometimes death. But I wonder: what if the enemy is completely imaginary? What if I perceive this enemyâthese men and women that conspire in a tradition of subtle murderersâonly in my mind? What if I become the murderer by exposing them?â
With small steps Sakawa moved out of the center of the room. Magrelli pointed mockingly at Arzaky, who was seated in an armchair and seemed to be either concentrating very intensely or sleeping.
âWell, Arzaky, you are the one who organized all this. Now youâve got some objects for your glass cases. Which one will you choose to represent our profession? Incomplete jigsaw puzzles, paintings that fuse fruit and faces, a Greek monster and an inquisitive sphinx, Aladdinâs blackboard, a blank page. Which one will it be?â
Arzaky held back a yawn.
âHe who speaks last always has an advantage: the sound of his voice still echoes. But apart from that, I choose Sakawa. I also fear that all investigation is a blank page.â
8
I n spite of my exhaustion, it took me a while to fall asleep. I was surrounded by unfamiliar things, and my mind tried in vain to adapt to the continuous introduction
âTell us about a case,â said Arzaky. âMaybe that way we can understand what you mean.â
âA boastful display of my skill is unworthy of this forum. I will tell of a case that is not mine, and that way you will know why we call them grasshopper hunters.â
While Sakawa spoke, his assistant, Okano, bowed his head as a sign of respect.
âMr. Huraki was the manager of a bank in the city of S. I wonât say the name of the city. In the spring itâs overrun with grasshoppers, but the inhabitants of the region refuse to kill them, believing they are good luck. A large sum of money disappeared from the bank; Mr. Huraki was not accused of stealing it. When the police showed up at his office they found no evidence that incriminated him, and the only thing that drew their attention to him was that Huraki was extremely nervous and accidentally stepped on a grasshopper that had come in through the window. Hurakiâs accountant, Mr. Ramasuka, whose reputation was spotless up until that point, was put in prison. He confessed to nothing, nor did he accuse anyone else; he spent the years he was locked up reading the old masters.
âTime passed. Ramasuka finished his sentence. By then Huraki was the director of a bank in Tokyo. Ramasuka was determined to take his revenge, but he couldnât imagine himself brandishing a sword or taking up a firearm. All that reading, all that thinking he had done wasnât to fill his head with ideas, but rather to clear his mind of trivial ideas and meaningless prejudices. He had learned to see what others overlook. Taking advantage of an open window, he entered Hurakiâs house one night: he didnât touch a thing; he just left a grasshopper in the middle of the room, on top of the tatami. Before dawn, the grasshopperâs singing awoke Huraki. The banker instantly remembered a verse by a poet from his city (this memory was part of Ramasukaâs plan):
The grasshopper you killed in your dream
Sings again in the morning.
âHuraki knew that he had been discovered. He killed himself that very night by drinking poison.â
The waiter, who had served wine to the detectives and water to the assistants, as dictated by The Twelve Detectivesâ protocol, offered a glass of wine to the old detective, who refused it.
âThus Ramasuka established the tradition of the grasshopper hunters: men and women capable of killing with insinuations, signs, invisible traces. But these warriors need a symmetrical oppositional force. I am part of that force. We donât send them to prison, of course, because no judge legislates on grasshoppers and butterflies and poems with secret meanings. But we write and publish our verdicts, and we often drive those responsible to disgrace, exile, silence, sometimes death. But I wonder: what if the enemy is completely imaginary? What if I perceive this enemyâthese men and women that conspire in a tradition of subtle murderersâonly in my mind? What if I become the murderer by exposing them?â
With small steps Sakawa moved out of the center of the room. Magrelli pointed mockingly at Arzaky, who was seated in an armchair and seemed to be either concentrating very intensely or sleeping.
âWell, Arzaky, you are the one who organized all this. Now youâve got some objects for your glass cases. Which one will you choose to represent our profession? Incomplete jigsaw puzzles, paintings that fuse fruit and faces, a Greek monster and an inquisitive sphinx, Aladdinâs blackboard, a blank page. Which one will it be?â
Arzaky held back a yawn.
âHe who speaks last always has an advantage: the sound of his voice still echoes. But apart from that, I choose Sakawa. I also fear that all investigation is a blank page.â
8
I n spite of my exhaustion, it took me a while to fall asleep. I was surrounded by unfamiliar things, and my mind tried in vain to adapt to the continuous introduction
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