desk.
âOyster cards, debit cards â the world is going contactless.â
Thatâs true enough: Rebecca has been completely contactless since Saturday night.
âBut seriously, what happens to the staff?â I say. âI mean, you have to look into whether they can be reposted, and youâll need to go through consultation, possibly with Acas, and because the numbers of redundancies might be quite high weâll probably have to inform the relevant government departments, and obviously thereâs industrial action to think about, andââ
âThe directors are coming in on Friday â do you think youâd be able to come up with a document on all this for then?â
âFriday?â
Itâs doubtful Iâll be able to get anything comprehensive down on paper by then, especially with my head as it is, but I badly want to get back to my phone, so I nod and tell him
Yeah, no problem
.
âOne more thing,â says Richardson, standing to accompany me from his office. âYouâre looking very smart again today, I like it.â
I always thought Jamie and I dressed pretty similarly but apparently not.
âTa.â
There are no texts and no emails waiting for me when I go back to my desk. I check the time. One hour and forty-seven minutes of the working day without making contact. Benjamin Franklin would be proud, I think to myself as I walk towards the door, sensing Russ and Tom following me with concerned eyes.
Once outside, I press my thumb on Rebeccaâs name in my phone and smile politely at Michelle from Accounts, who is standing by the revolving doors smoking a cigarette. I walk down the street for privacy.
Youâve reached the voicemail of Rebecca Giamboni. Leave your name and number and Iâll get back to you.
I close my eyes at the sound of her voice, remembering the conversation we had after the first time I heard her voicemail. I told her Voicemail Rebecca was a bit curt, and she joked that she couldnât speak right now and I should leave a message after the tone. Then when I started talking again she cut me off with a
beeeep
, just like the one Iâm listening to now.
âBecs, itâs me. I love you, I miss you. Call me back.â
Iâm lolled on the couch, music drifting from my phone, which hasnât buzzed all afternoon, when I hear a key in the door.
âI thought you were working tonight?â I say.
âThought you might appreciate the company.â Jamie puts down a plastic bag and starts leafing through his post. âYou heard from her yet?â
I shake my head. âI feel like my life is on hold.â
âIn which case . . .â He discards some junk mail into the bin and points an accusatory finger towards my phone. â. . . can we change the hold music? This is fucking depressing.â
âItâs Damien Rice â one of the bestââ
âItâs wank, is what it is.â
Jamie comes over and snatches my phone.
âThis from the fella who has a signed Chas ânâ Dave disc on his living-room wall,â I say.
He returns to the worktop, picks up the plastic bag and dangles it in the air. âThought we could have a beer by the river?â
Iâd wanted to keep a clear head in case Rebecca calls back, and itâs getting dark, but he has taken the night off, and got beers.
We take up a position on the concrete bank just outside his apartment, legs dangling half a metre above the water. Jamie pulls two cans from the plastic bag, tossing one into my waiting hands.
âWhereâd you get to last night?â I ask.
It was past three a.m. when I heard the door.
âLock-in.â He pulls the tab and takes a long first sip. âWith Tidy Tania.â
âWhile her boyfriend was . . . ?â
âTheyâve split up,â he says neutrally. âShe wanted to come back here.â
âAnd you didnât because . . . ?â
He
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