Chamion?” she asked.
“I left a week or so after the wedding. There were some talented local craftsmen who continued the work while I was in Norway. I went back a couple of times to make sure everything was going well, but I’ve been in Norway and Scotland most of the past two months.”
“Scotland?”
“Mmm. Tell me about the ranch house.”
So much for getting him talking. But the ranch house was business, too, so Edie did as he asked.
“I think it’s from the mid-nineteenth century. Pretty primitive to begin with, I think. My dad used to tell us stories about the ranchers who lived here. I don’t know how true it was. Dad liked to tell stories.” She smiled now as she remembered the delight Joe Tremayne had taken in gathering her and Ronan onto his lap and regaling them with tales of early California.
“Was it in his family?” Nick asked.
“No. My mom and dad bought it right after they married. It was pretty run-down already by then, but the land was what my dad wanted. He was raised on a ranch north of San Luis Obispo. His dad was a foreman there. Dad wanted to raise cutting horses. That was his dream. He dabbled in winemaking, too. He wasn’t a Hollywood sort of guy.” In her mind’s eye she could still see her tall, handsome father with his shock of dark hair and wide mischievous grin. “He was a good balance to my mother. Solid. Dependable. Steady.” She caught herself before she went any further. “But you don’t care about that. You want to know about the house.”
“I want to know it all,” Nick said, his eyes on hers. “About the house, of course. But it’s important to understand the peoplewho live—or lived—in it. What mattered to them. What they valued.”
Edie thought about that. She remembered him telling her about the history of the castle at Mont Chamion and about the royal family there. She guessed it was the same here.
“Family,” she said firmly. “That’s what they both wanted. Even Mona,” she said before he could raise his brows in doubt “My dad’s death changed her. He was her anchor. When he died, it was like she’d been cut adrift. She was lost. She wanted what they’d had—what we’d all had—and she kept trying to get it back.”
Telling him about it now, she could see it all again—the happy days they’d spend as a family in the old adobe followed by the painful dark days after the car accident that had taken her father’s life. Her voice trailed off as they crested the hill and headed down the other side. The old house came into sight beyond a stand of eucalyptus.
“Hence the marriages?” Nick ventured.
“Pretty much,” Edie agreed. “She wanted to be married. She wanted a man. And men want Mona. They always have. So they kept proposing, and she kept saying yes. And she kept having babies,” she added a little wryly.
“That must have been difficult for you.”
“No. It was great, especially after she got to be so famous. It was easier that there were six of us. It diluted the paparazzi’s attention.”
They were approaching the house now, and Edie was appalled at how run-down it looked. Tried to see it from Nick’s perspective. She imagined he was mentally packing his bags, ready to declare it worthless. It certainly didn’t look salvageable to her. And it had an empty forlorn air very much at odds with how she remembered it.
“It’s a lot worse than I remembered,” she said. “It wasn’t like this when I was growing up here.”
Nick didn’t say anything. He just stopped on the slope andstudied the sprawling one-story adobe structure with its broad front porch and deep-set windows.
“It wasn’t in the best shape when they bought it,” Edie said quickly. “I remember Mona saying they got it cheap as a ‘fixer-upper.’ But my dad did a lot of work on it,” she added defensively. “But he was busy making a go of the ranch and the horses. He didn’t have a lot of time.”
“Understood.” Nick made his way down
“I left a week or so after the wedding. There were some talented local craftsmen who continued the work while I was in Norway. I went back a couple of times to make sure everything was going well, but I’ve been in Norway and Scotland most of the past two months.”
“Scotland?”
“Mmm. Tell me about the ranch house.”
So much for getting him talking. But the ranch house was business, too, so Edie did as he asked.
“I think it’s from the mid-nineteenth century. Pretty primitive to begin with, I think. My dad used to tell us stories about the ranchers who lived here. I don’t know how true it was. Dad liked to tell stories.” She smiled now as she remembered the delight Joe Tremayne had taken in gathering her and Ronan onto his lap and regaling them with tales of early California.
“Was it in his family?” Nick asked.
“No. My mom and dad bought it right after they married. It was pretty run-down already by then, but the land was what my dad wanted. He was raised on a ranch north of San Luis Obispo. His dad was a foreman there. Dad wanted to raise cutting horses. That was his dream. He dabbled in winemaking, too. He wasn’t a Hollywood sort of guy.” In her mind’s eye she could still see her tall, handsome father with his shock of dark hair and wide mischievous grin. “He was a good balance to my mother. Solid. Dependable. Steady.” She caught herself before she went any further. “But you don’t care about that. You want to know about the house.”
“I want to know it all,” Nick said, his eyes on hers. “About the house, of course. But it’s important to understand the peoplewho live—or lived—in it. What mattered to them. What they valued.”
Edie thought about that. She remembered him telling her about the history of the castle at Mont Chamion and about the royal family there. She guessed it was the same here.
“Family,” she said firmly. “That’s what they both wanted. Even Mona,” she said before he could raise his brows in doubt “My dad’s death changed her. He was her anchor. When he died, it was like she’d been cut adrift. She was lost. She wanted what they’d had—what we’d all had—and she kept trying to get it back.”
Telling him about it now, she could see it all again—the happy days they’d spend as a family in the old adobe followed by the painful dark days after the car accident that had taken her father’s life. Her voice trailed off as they crested the hill and headed down the other side. The old house came into sight beyond a stand of eucalyptus.
“Hence the marriages?” Nick ventured.
“Pretty much,” Edie agreed. “She wanted to be married. She wanted a man. And men want Mona. They always have. So they kept proposing, and she kept saying yes. And she kept having babies,” she added a little wryly.
“That must have been difficult for you.”
“No. It was great, especially after she got to be so famous. It was easier that there were six of us. It diluted the paparazzi’s attention.”
They were approaching the house now, and Edie was appalled at how run-down it looked. Tried to see it from Nick’s perspective. She imagined he was mentally packing his bags, ready to declare it worthless. It certainly didn’t look salvageable to her. And it had an empty forlorn air very much at odds with how she remembered it.
“It’s a lot worse than I remembered,” she said. “It wasn’t like this when I was growing up here.”
Nick didn’t say anything. He just stopped on the slope andstudied the sprawling one-story adobe structure with its broad front porch and deep-set windows.
“It wasn’t in the best shape when they bought it,” Edie said quickly. “I remember Mona saying they got it cheap as a ‘fixer-upper.’ But my dad did a lot of work on it,” she added defensively. “But he was busy making a go of the ranch and the horses. He didn’t have a lot of time.”
“Understood.” Nick made his way down
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