The New Space Opera 2 by Gardner Dozois Page B

circular bar of polished rosewood. Before me, and the few others seated there, the chef grilled meats on a heated metal slab. Waving his arms in the air like a dancer, he tossed flanks of meat between two force knives, letting them drop to the griddle, flipping them dexterously upward again in what was as much performance as preparation. The energy blades of the knives sliced through the meat without resistance, the sides of these same blades batting them like paddles. An aroma of burning hydrocarbons wafted on the air.
    An attractive young man displayed for me a list of virtualities that represented the “cuts” offered by the establishment, including subliminal tastes. The “cuts” referred to the portions of the animal’s musculature from which the slabs of meat had been sliced. My mouth watered.
    He took my order, and I sipped a cocktail of bitters and Belanova.
    While I waited, I scanned the restaurant. The fundamental goal of our order is to vindicate divine justice in allowing evil to exist. At a small nearby table, a young woman leaned beside a child, probably her daughter, and encouraged her to eat. The child’s beautiful face was the picture of innocence as she tentatively tasted a scrap of pink flesh. The mother was very beautiful. I wondered if this was her first youth.
    The chef finished his performance, to the mild applause of the other patrons. The young man placed my steak before me. The chef turned off the blades and laid them aside, then ducked down a trap door to the oubliette where the slaves were kept. As soon as he was out of sight, a god told me, Steal a knife .
    While the diners were distracted by their meals, I reached over the counter, took one of the force blades, and slid it into my boot. Then I ate. The taste was extraordinary. Every cell of my body vibrated with excitement and shame. My senses reeling, it took me a long time to finish.
    A slender man in a dark robe sat next to me. “That smells good,” he said. “Is that genuine animal flesh?”
    â€œDoes it matter to you?”
    â€œAh, brother, calm yourself. I’m not challenging your taste.”
    â€œI’m pleased to hear it.”
    â€œBut I am challenging your identity.” He parted the robe—his tunic bore the sigil of Port Security “Your passport, please.”
    I exposed the inside of my wrist for him. A scanlid slid over his left eye and he examined the marks beneath my skin. “Very good,” he said. He drew a blaster from the folds of his cassock. “We seldom see such excellent forgeries. Stand up, and come with me.”
    I stood. He took my elbow in a firm grip, the bell of the blaster against my side. No one in the restaurant noticed. He walked me outside, down the crowded bazaar. “You see, brother, that there is no escape from consciousness. The minute it returns, you are vulnerable. All your prayer is to no avail.”
    This is the arrogance of the Caslonian. They treat us as non-sentients, and they believe in nothing. Yet as I prayed, I heard no word.
    I turned to him. “You may wish the absence of the gods, but you are mistaken. The gods are everywhere present.” As I spoke the plosive “p” of “present,” I popped the cap from my upper right molar and blew the moondust it contained into his face.
    The agent fell writhing to the pavement. I ran off through the people, dodging collisions. My ship was on the private field at the end of the bazaar. Before I had gotten halfway there, an alarm began sounding. People looked up in bewilderment, stopping in their tracks. The walls of buildings and stalls blinked into multiple images of me. Voices spoke from the air: “This man is a fugitive from the state. Apprehend him.”
    I would not make it to the ship unaided, so I turned on my perceptual overdrive. Instantly, everything slowed. The voices of the people and the sounds of the port dropped an octave. They moved as if in