understand.â
âWork on it, lover, you will.â
âI meant to tell you actually,â Cassidy said carelessly, with an attempt at movement. âIâve got a house in Switzerland, a chalet. Quite modest but surprisingly comfortable for two. Place called Sainte-Angèle. Itâs empty most of the year. If you like tense slopes you might try that one some time.â
No laughter.
âI just mean, if you ever want a place to work, to get away from it all, Iâd be delighted to lend it to you for nothing. Take Helen.â
âOr a substitute,â Shamus suggested. âLover.â
âYes?â
âYou should have been angry with me. For barging in on that call and fucking it up. That was very rude.â
âShould I?â
âYou should have hit me, lover. I mean I rely on discipline. I believe in it. Thatâs what the fucking bourgeoisie is for: to inhibit rude sodders like me.â
Cassidy laughed awkwardly. âYouâre too strong for us,â he said. Feeling in his pocket for small change, he made to open the door.
âHey, lover.â
âYes?â
âEver killed anyone?â
âNo.â
âNot even physically?â
âI donât understand,â said Cassidy.
âIâll bet the bosscow does,â said Shamus. âHey, lover.â
âWell?â Testily, as becomes a tired man with a crippled son.
Shamus flung out his arms. âGive us a cuddle, lover. Iâm starving. â
âIâve got to pay for the call,â said Cassidy.
Arms still outstretched, Shamus remained in the open doorway staring at Cassidy in astonishment while he completed his transactions at the bar; until, without waiting for the promised embrace, he swung away into the grimy crowd.
âAll right you lousy filthy stinking hayseeds,â he yelled. âButton your smocks, Butch Cassidyâs in town!â
âTime,â the landlord said quickly. âAnd I mean it.â
Â
After the pub, the taxi. From Bath or Bristol? No matter. They had missed the last train so Shamus ordered a radio cab in his Italian accent while they all squashed into the telephone booth. Shamus sat in the front so that he could talk to the driver, who was an old man and rather tickled to be driving drunken gentry. Quite soon the radio caught Shamusâ fancy.
âListen to her,â he urges them, turning up the volume.
They all concentrate.
âCome in Peter One . . . Control calling . . . Peter Two . . . party of four at the station, no luggage, theyâll sit three up at the back. Party waiting now, Peter Three. Come in Peter One, Control calling . . .â
To Cassidy she sounds as bossy and inexpert and strident and periodic as any other female announcer, but Shamus is entranced.
âSheâs not your daughter is she?â he asks the driver reverently.
âNot likely. Sheâs fifty in the shade.â
âSheâs terrific,â says Shamus. âThat lady is in the first position. Believe me.â
âShe really is,â Cassidy agrees, about to doze off. Helenâs head has fallen on to his shoulder and she has threaded her fingers through his hand and he is very pleased to agree to anything when suddenly they hear Shamus talking into the microphone in his Italian voice.
âI want-a you,â he is whispering fervently. â I love-a you and I want-a you. I-a long for you. Is she dark?â he asks the driver.
âDarkish.â
âCome to bed with me,â Shamus breathes back at the microphone. âFuck me.â
âHere, steady,â says the driver. On a tense slope, they all wait for the reply.
âSheâs calling the police,â says Cassidy.
âSheâs packing her bags,â says Helen.
âWhat a woman,â says Shamus.
In a tone of incipient hysteria, the radio speaks. âPeter One . . . Peter One . . . who is that?â
âNot Peter
Beth Kephart
Stephanie Brother
G.P. Hudson
Lorna Lee
Azure Boone
Multiple
Gina Ranalli
JoAnn Bassett
Pippa Hart
Virginia Smith, Lori Copeland