The Museum of Innocence by Orhan Pamuk Page B

of Nişantaşı, does it also, I wonder, convey to the visitor the jealousy I acknowledged as I beheld that view?
    As drunk as I was, I was now seeing things clearly—yes, I had come here on this moonlit night to catch a glimpse of Füsun, perchance to kiss her, to speak to her, but in equal part to ensure that she was not spending this evening with someone else. Because now, having gone “all the way” with one man, she might possibly be curious about the experience of making love with one of those other admirers she had enumerated. What fed the ever-growing jealousy festering inside me was that Füsun had embraced the pleasures of lovemaking with the enthusiasm of a child given a wonderful new toy, and that when we made love she was able to give herself over to pleasure completely, in a way I had rarely observed in a woman. I do not remember how long I stood there looking at the windows. It was, I know, quite late by the time I got home, the baby doll present still in my hand, and went to bed.
    In the morning, on my way to work, I thought about the things I had done the night before, taking measure of the jealousy I had been unable to banish from my heart. I was gripped then by the fear that I might be besotted. As she drank from a bottle of Meltem, Inge the model eyed me saucily from the side of an apartment building, warning me to be careful. I considered discussing my secret in jest with friends like Zaim, Mehmet, and Hilmi, so as to release the obsession from the confines of my mind, where it could only intensify. But because my best friends all seemed to like Sibel a great deal—indeed found her very attractive to the point of being envious—I doubted they would give me a sympathetic hearing, or feel much pity. For I knew that as soon as I broached the subject, I would find my calculated and affected mockery crumbling under the weight of my passion, until my longing to speak of Füsun sincerely could no longer be denied, and my friends would conclude that I was indeed undone. And so as the Maçka and Levent buses (the same ones I used to ride with my mother and brother on the way back from Tünel) went rumbling past the windows of my office, I concluded that there was, for now, little I could do to master my desire for Füsun without destroying the chance of the happy marriage that I still wanted very much; and that, rather, I should leave things as they were, avoiding panic, and making the most of all that life had so generously conferred on me.

17
    My Whole Life Depends on You Now
    BUT WHEN Füsun was ten minutes late for our next rendezvous at the Merhamet Apartments, I immediately forgot my resolutions. I kept glancing at my watch, a present from Sibel, and at the Nacar brand alarm clock Füsun so loved to shake until it jangled, and I peeked continually through the curtains at Teşvikiye Avenue, pacing up and down the creaky parquet floor, unable to take my mind off Turgay Bey. Soon I bolted the apartment and went outside.
    I kept a careful eye on both sides of the street, to make sure I didn’t miss Füsun walking toward me, and I proceeded as far as the Şanzelize Boutique. But Füsun wasn’t in the shop either.
    “Kemal Bey! How can I help you?” said Şenay Hanım.
    “We’ve decided I should buy that Jenny Colon handbag for Sibel Hanım after all.”
    “So you’ve changed your mind,” said Şenay Hanım. I could see a hint of mockery on her curled lips, but not for long. If I was embarrassed because of Füsun, she must have felt some shame for knowingly selling me a fake. We both fell silent. With torturous slowness, she retrieved the bag that had been restored to the arm of the mannequin in the window, dusting it off with the ritualized care of a seasoned shopkeeper. I directed my attention to Lemon the canary, who was having a dreary day.
    After I had paid and was on my way out with my purchase, Şenay Hanım said, “Now that you trust us, perhaps you can grace our shop more often.” She took