The Moth by James M. Cain Page A

right and keep on to the freight elevator in the rear, and wait. So I followed instructions. The party began breaking up pretty soon, and I shook hands with her father and mother and asked for little Helen, who was spending the holidays with cousins in Trenton, relatives of the Cartaret the hotel was named after. Mr. Legg, as I’ve said, is a bit on the stuffy side, a slim little man with a white mustache that looked like something in an oil painting, but he patted me on the shoulder and acted friendly. Mrs. Legg was a gray-haired woman, kind of heavy-set, with light china-blue eyes that have the same trick Margaret’s have, of never quite looking at you with a little set smile. She’s a cold dame, but she kept me there five minutes at least, asking me questions about myself, especially whether I sang any more, and seemed to think it was a good idea I had quit. Then she told me all about Margaret’s playing, and how “splendid” it had become, but how, nevertheless, she wanted my “opinion.” What that was worth I couldn’t quite see, but I was to find out. Then I shook hands with Margaret, and made a little speech that everybody could hear, about the wonderful time I’d had, and how I wished her the best for the coming year.
    It seemed a year before there was nobody on Charles Street and I could slip down the steps and find the key and let myself in. It was dark down there, but I could see that on my left was a door leading into the barber shop, and on my right a concrete passage that went past furnaces, pumps, and electrical stuff. I turned right, like she said, and came to a cross passage, at the rear of the hotel, that led to the freight elevator, off in a corner. I went over to it, and I could see the car through the glass but she had said wait and I did. I don’t know how long I waited, but it seemed that hell must at least be frozen over and thawed out again before I heard something. There’d be a click, then steps, then another click. All of a sudden I knew it was a watchman with his clock, and that he was down there, in the basement, where I was. I had a panicky two seconds, but then, as easy as I could, I opened the car door, stepped in, and coaxed it shut again. Then I stooped down, below the glass. The steps came on and stopped, then after a click went away. Then the car moved and I was going up.
    At the eighth floor I could see her, through the glass. When I got out she began more whispering. I was to give her a head start, then slide around to 819 and go in without buzzing or knocking. When I had that straight she took a long look around and ducked around a corner, with a tiptoe, guilty look. I counted twenty, then followed along, watching the numbers. The door to 819 was open a crack, and I stepped in and closed it after me. Then arms were around me and lips were against mine and she was pressing up against me and trembling. It was dark, but by the light from the street I could see a grand piano, some chairs, and at the far end of the room, a sofa. I carried her to it, held her close, and kissed her some more. She locked her arms around me and kept kissing me and catching her breath in little short gasps. “... You surprised, Jack?”
    “At you?”
    “That I can be so—demonstrative.”
    “Not with the it that you carried around.”
    “Really, Jack?”
    “You always did get me.”
    “You never said anything.”
    “Did anything, you really mean.”
    “Well, you never did.”
    “With pigtails hanging down your back?”
    “I’m as old as you.”
    “You’re still pretty young.”
    “You really liked me?”
    “Why, I used to stand in the wings while you were playing Rachmaninoff Prelude and think how I’d like to put my arms around you, from behind, while your hands were there on the keyboard, and—”
    “Yes, Jack? And—?”
    “Like this.”
    With that I made my first grab at something that meant business. She pushed my hand away, but I found a zipper, and slid it and it slid pretty