The Mask of Fu-Manchu

The Mask of Fu-Manchu by Sax Rohmer Page B

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Authors: Sax Rohmer
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that it was an unusually perfect mummy head. In another, which was obviously heated, I saw growing foliage and, watching it more closely, realised that a number of small, vividly green snakes moved among the leaves. A human skeleton, perfect, I thought, even to the small bones, stood in a rack in a gap between the bookcases. The window recess was glazed to form a sort of small conservatory, and through the glass, dimly, I could see that bloated flesh-coloured orchids were growing.
    I stood up again, testing my injured ankle. It pained intensely, but the tendon had survived the jerk. I began to shuffle forward in the direction of a large, plain wooden table, resembling a monkish refectory table, before which was set one of those polished, inlaid chairs which are produced in the bazaars of Damascus.
    There were some of those strange-looking volumes upon this table, as well as a number of scientific instruments, test tubes, and chemical paraphernalia. As I stood up, I saw that the table was covered with a sheet of glass.
    Changing my position, other glass cases came into view; they contained rows of chemical bottles and apparatus. The place was more than half a laboratory. And I noticed, looking behind me, that there was a working bench in one corner fitted with electrical devices, although of a character quite unfamiliar.
    The truth came subconsciously ahead of its positive confirmation. There were three doors to the salon, perfectly plain white teak doors. And in the very moment that I recognized a peculiar fact—viz: that they possessed neither bolts, handles, nor keyholes—one of these doors opened and slid noiselessly to the left.
    I found myself alone with Dr. Fu-Manchu.

CHAPTER NINETEEN

FORMULA ELIXIR VITAE
    H e wore a green robe upon which was embroidered a white peacock, and on the dome of his wonderful skull a little cap was perched—a black cap surmounted by a coral ball. The door slid silently to behind him, and he stood watching me.
    Once and once only, hitherto, had I seen the mandarin Fu-Manchu. He had impressed me, then, as one of the most gigantic forces ever embodied in a human form: but amazing—and amazingly horrible—he seemed, now, as he stood looking at me, to have shaken off part of the burden of years under which he had stooped on that unforgettable night in London.
    He carried no stick; his long, bony hands were folded upon his breast. He was drawn up to his full, gaunt height, which I judged to be over six feet. His eyes, which were green as the eyes of a leopard, fixed me with a glance so piercing that it extended my powers to the full to sustain it.
    There are few really first-class brains in the world today, but no man with any experience of humanity, looking into those long brilliant eyes, could have doubted that he stood in the presence of a super-mind.
    I cannot better describe my feelings than by saying I felt myself to be absorbed; mentally and spiritually sucked empty by that awful gaze.
    Even as this ghastly sensation, which I find myself unable properly to convey in words, overwhelmed me, a queer sort of film obscured the emerald eyes of Dr. Fu-Manchu, and I experienced immediate relief.
    I remembered in that fleeting moment a discussion between Nayland Smith and Dr. Petrie touching this phenomenal quality of Fu-Manchu’s eyes, which the doctor frankly admitted he had never met with before, and for which he could not account.
    Walking slowly, but with a cat-like dignity, Fu-Manchu crossed to the long table, seating himself in the chair. His slippered feet made no sound. The room was silent as a tomb. The scene had that quality which belongs to dreams. No plan presented itself, and I found myself tongue-tied.
    Fu-Manchu pressed the button of a shaded lamp upon a silver pedestal, and raising a small, pear-shaped vessel from a rack, examined its contents against the light. It contained some colourless fluid.
    His hands were singular: long, bony, flexible fingers, in which, caricatured,

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