The March of Folly

The March of Folly by Barbara W. Tuchman Page A

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the rise of national churches were already undercutting Roman rule. Under the political pressure and deals made necessary by the Schism, the power of appointment, the essential source of papal power and revenue—which the Papacy had usurped from the local clergy, where it originally belonged—was gradually surrendered to the lay sovereigns or exercised at their dictation or in their interests. It had largely been lost already in France and England under forced arrangements with their rulers, and was to be further surrendered in this period to the Hapsburg Empire, Spain and other foreign potentates in the course of various political bargains.
    To an unusual degree in the Renaissance good walked with evil in a wondrous development of the arts combined with political and moral degradation and vicious behavior. Discovery of classical antiquity with its focus on human capacity instead of on a ghostly Trinity was an exuberant experience that led to a passionate embrace of humanism, chiefly in Italy, where it was felt to be a return to ancient national glories. Its stress on earthly goods meant an abandonment of the Christian ideal of renunciation and its pride in the individual undermined submission to the word of God as conveyed by the Church. To the extent that they fell in love with pagan antiquity, Italians of the ruling class felt less reverence for Christianity, which, as Machiavelli wrote in
The Discourses
, makes the “supreme felicity to consist in humility, abnegation and contempt of things human,” whereas pagan religion found the chief good in “grandeur of the soul, strength of body and all the qualities that make men redoubtable.”
    New economic enterprise, following the depression and miseries of the fading Middle Ages, accompanied humanism in the second half of the 15th century. Many explanations have been offered for this recovery: the invention of printing immensely extended the access to knowledge and ideas; advances in science enlarged understanding of the universe, and in applied science supplied new techniques; new methodsof capitalist financing stimulated production; new techniques of navigation and shipbuilding enlarged trade and the geographical horizon; newly centralized power absorbed from the declining medieval communes was at the disposal of the monarchies and the growing nationalism of the past century gave it impetus; discovery of the New World and circumnavigation of the globe opened unlimited visions. Whether these were cause or coincidence or a turn of the tide in the mysterious ebb and flow of human affairs, they marked the beginnings of the period that historians call Early Modern.
    Within these sixty years Copernicus worked out the true relationship of the earth to the sun, Portuguese vessels brought slaves, spices, gold dust and ivory from Africa, Cortés conquered Mexico, the Fuggers of Germany, investing profits from the wool trade in commerce, banking and real estate, created the wealthiest mercantile empire of Europe while the son of their founder, called Jacob the Rich, distilled the spirit of the time in his boast that he would continue to make money as long as there was breath in his body. His Italian counterpart, Agostino Chigi of Rome, employed 20,000 men in the branches of his business at Lyons, London, Antwerp and—undeterred from doing business with the infidel as long as it was lucrative—at Constantinople and Cairo. Having taken Constantinople in 1453 and advanced into the Balkans, the Turks were regarded much like the present Soviet Union as the overshadowing menace of Europe, but however fearful the alarms, the Christian nations were too immersed in conflict with one another to reunite in action against them.
    In Spain, Ferdinand of Aragon and Isabella of Castile joined their kingdoms in marriage, reintroduced the Inquisition and expelled the Jews; Francis I of France met Henry VIII on the Field of the Cloth of Gold; Albrecht Dürer flourished in Germany, Hieronymus Bosch

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