The MaddAddam Trilogy

The MaddAddam Trilogy by Margaret Atwood Page A

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Authors: Margaret Atwood
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looked frightened, and one of them was crying.
    Jimmy knew the drill. They were supposed to look like that, he thought; if they stopped the action, a walking stick would come in from offside and prod them. This was a feature of the site. There were at least three layers of contradictory make-believe, one on top of the other.
I want to, I want to not, I want to
.
    Oryx paused in her activities. She smiled a hard little smile that made her appear much older, and wiped the whipped creamfrom her mouth. Then she looked over her shoulder and right into the eyes of the viewer – right into Jimmy’s eyes, into the secret person inside him.
I see you
, that look said.
I see you watching. I know you. I know what you want
.
    Crake pushed the reverse, then the freeze, then the download. Every so often he froze frames; by now he had a small archive of them. Sometimes he’d print them out and give a copy to Jimmy. It could be dangerous – it could leave a footprint for anyone who might manage to trace a way through the labyrinth – but Crake did it anyway. So now he saved that one moment, the moment when Oryx looked.
    Jimmy felt burned by this look – eaten into, as if by acid. She’d been so contemptuous of him. The joint he’d been smoking must have had nothing in it but lawn mowings: if it had been stronger he might have been able to bypass guilt. But for the first time he’d felt that what they’d been doing was wrong. Before, it had always been entertainment, or else far beyond his control, but now he felt culpable. At the same time he felt hooked through the gills: if he’d been offered instant teleportation to wherever Oryx was he’d have taken it, no question. He’d have begged to go there. It was all too complicated.
    “This a keeper?” Crake said. “You want it?”
    “Yeah,” said Jimmy. He could barely get the word out. He hoped he sounded normal.
    So Crake had printed it, the picture of Oryx looking, and Snowman had saved it and saved it. He’d shown it to Oryx many years later.
    “I don’t think this is me,” was what she’d said at first.
    “It has to be!” said Jimmy. “Look! It’s your eyes!”
    “A lot of girls have eyes,” she said. “A lot of girls did these things. Very many.” Then, seeing his disappointment, she said, “It might be me. Maybe it is. Would that make you happy, Jimmy?”
    “No,” said Jimmy. Was that a lie?
    “Why did you keep it?”
    “What were you thinking?” Jimmy said instead of answering.
    Another woman in her place would have crumpled up the picture, cried, denounced him as a criminal, told him he understood nothing about her life, made a general scene. Instead she smoothed out the paper, running her fingers gently over the soft, scornful child’s face that had – surely – once been hers.
    “You think I was thinking?” she said. “Oh Jimmy! You always think everyone is thinking. Maybe I wasn’t thinking anything.”
    “I know you were,” he said.
    “You want me to pretend? You want me to make something up?”
    “No. Just tell me.”
    “Why?”
    Jimmy had to think about that. He remembered himself watching. How could he have done that to her? And yet it hadn’t hurt her, had it? “Because I need you to.” Not much of a reason, but it was all he could come up with.
    She sighed. “I was thinking,” she said, tracing a little circle on his skin with her fingernail, “that if I ever got the chance, it would not be me down on my knees.”
    “It would be someone else?” said Jimmy. “Who? What someone?”
    “You want to know everything,” said Oryx.

5
~

Toast
   ~
    Snowman in his tattered sheet sits hunched at the edge of the trees, where grass and vetch and sea grapes merge into sand. Now that it’s cooler he feels less dejected. Also he’s hungry. There’s something to be said for hunger: at least it lets you know you’re still alive.
    A breeze riffles the leaves overhead; insects rasp and trill; red light from the setting sun hits

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