acquainted, and was amused by the coincidence of their arriving simultaneously; he never relinquished the belief, in later years, that their romance had begun at the Wittgensteins’, and no one took the trouble to correct him.
When the two of them entered, the professor was sitting on a cowhide divan, smoking a pungent cheroot; he looked back and forth between them in bewilderment, then ushered Gretl Stonborough—née Wittgenstein—over to make introductions. “I think I ought to know your daughter , Herr Professor,” she laughed, extending a gloved hand to Kaspar, then kissing Sonja warmly on both cheeks.
All eight of the Wittgenstein children were brilliant—they were famous for it even then, when most of them were barely out of school—but Gretl was judged the most brilliant of all. She was long-limbed and thin, almost gaunt, with the dark-lidded eyes set far back in the skull that the Wittgensteins all had in common. She had a seriousness about her that Kaspar had never encountered in a woman of twenty-four, but she grinned whenever she caught Sonja’s eye, as though they shared some confidential joke between them.
“So this is the Herr Professor’s assistant,” Gretl said solemnly. “I hear you’ve become indispensable.”
“Professor Silbermann could dispense with me at any time,” Kaspar said, feeling his face go hot. That hadn’t been what he’d meant to say at all.
Gretl patted him on the arm and turned to Sonja. “I have a surprise for you, darling. The maestro is here.”
Now it was Sonja’s turn to redden. “Where is he?”
“In the Chinese room with Hermine, making utter mincemeat of her latest portraits.”
Kaspar looked from one girl to the other. Gretl was scrutinizing him thoroughly, which made it difficult to think; Sonja was fidgeting with the hem of her gown. “I didn’t expect to see him here, Gretl. I should have, I suppose, but I didn’t.” She hesitated. “I’m not wearing that smock of his, you see.”
That smock of his ? Kaspar thought.
“Hermine isn’t wearing hers, either,” Gretl said, giving Kaspar a wink. “Come along now, both of you. If we ask nicely, His Eminence may grant us an audience.”
Kaspar followed the girls sheepishly through those splendid apartments, through music rooms and reading rooms and chintz-swaddled rococo parlors, until they arrived at an octagonal chamber with paint-spattered bedsheets thrown over chinoiserie tile. A woman with the same arched nose as Gretl was standing with her hand on the shoulder of a black-bearded bear of a man, bobbing her small dark head in rhythm with his voice. The man spoke softly, with his hands primly folded; the shapeless muslin tunic he wore would have dumbfounded Kaspar if he hadn’t seen it many times already. Catching sight of Sonja, he clapped and whistled like an organ grinder.
“Dovecote!” the man bellowed, seizing Sonja by the arms. “Such a surprise! Such a shock! I barely recognize you in that uniform.”
“It’s not a uniform, maestro,” said Sonja, more red-faced than ever. “It’s only a dress.”
“It’s an exquisite dress.” He lifted Sonja’s right hand to his lips. “And it’s also a uniform, as you know very well.” He turned to Gretl. “Thank you for delivering my dovecote to me, fräulein.”
“I’ve also delivered the dovecote’s companion, maestro, as you may have noticed.”
“So you did. Pleased to meet you, Herr—?”
“Kaspar Toula, Herr Klimt.” Kaspar didn’t feel jealous, as such—only painfully conscious of his disadvantage. “I’m to blame for Fräulein Silbermann’s uniform, I’m afraid.”
“Ah!” The maestro squinted searchingly into Kaspar’s face, as though he’d misplaced his pince-nez. “Fräulein Silbermann has told you, no doubt, about this hobbyhorse of mine.” He hooked a thumb inside the collar of his tunic. “I simply believe that contemporary fashion imprisons a woman, and disfigures her shape—which is splendid
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