The Letter of Marque

The Letter of Marque by Patrick O’Brian Page B

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Authors: Patrick O’Brian
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Surprise's actual position presented themselves in due order; and it appeared to him that if the breeze stayed fair and if the ship could log a hundred and twenty-five miles a day, there was a possibility of getting there in time. Not a very strong possibility, but one at least worth a great deal of effort.
    'If the breeze stayed fair.' The barometer had been rising and falling most erratically and there was no forecast to be made: the only thing to do was to carry on without one, and straight away.
    Once more Stephen heard the words 'there is not a moment to be lost', and then Jack ran up on deck to tell Pullings to set all hands to work on the refitting of the Merlin with the utmost speed. Returning, he said 'Stephen, would you be so kind as to interpret while I ask the gentleman about the Azul?'
    From his connections and his calling, Guzman knew much more about ships than the ordinary landsman and his statement that the Azul had three masts, that she was barque-rigged and that she gauged about five hundred tons was perfectly convincing. So was his description of her as being painted a beautiful blue, with her black port-lids looking quite like those of a man-of-war; but these words made Jack Aubrey very pensive. Rigging the Surprise barque-fashion presented no difficulty, since it meant little more than unshipping her crossjack and mizentopsail yards, so that she carried only fore-and-aft sails on that mast; but this had been intended as a trial cruise, no more, and she carried little in the way of stores. Black portlids were very well, since she had them already, never having deviated from the Nelson chequer, but the blue sides - that was another matter.
    'Pass the word for Mr Bentley,' he called: and when the carpenter appeared, 'Mr Bentley, what do we possess in the way of blue paint?'
    'Blue paint, sir? We have just enough to give the blue cutter a couple of coats, spread thin, precious thin.'
    Jack thought for a moment and said to Stephen 'Pray ask whether the blue is light or dark.' And when it appeared that the Azul was pale, as pale as the early morning sky, he turned to the carpenter to find how they stood in the matter of plain white. The answer was almost equally discouraging: a small hundredweight, with a shove.
    'Well, well,' said Jack. 'We must do what we can. Tell me, Mr Bentley, how does the schooner come along?"
    'Oh sir,' said the carpenter, brightening at once, 'our second-best spare foretopmast, with a butt coaked on to the heel and a little trimming at the partners, has made her as pretty a mainmast as you could wish. Bosun is setting up the shrouds this minute, and as soon as they are rattled down we can send up a mighty elegant topmast.'
    'You have been uncommon busy, Mr Bentley, you and your crew.'
    'Busy, sir? Bees ain't in it.'
    Bees were not in it the next day either, for in the course of his nightly pacing of the deck Jack had hit upon a solution to the problem of changing the Surprise's outward appearance. Several coats of blue, laid on thick, would be needed to cover the broad black bands above and below the white belt with the black portlids in it, and all the paint they possessed would not give more than a single coat to half one side: one coat would do on the white; it would be useless on the black. Yet paint would lie on canvas. Paint lay admirably well on white canvas; and on white canvas a willing mind could make a very little light blue go a very long way.
    As soon as the idlers were called in the first morning light he had a long conference with the sailmaker, finding out just what was thinnest, whitest and most easily spared in the sailroom. Some good number 8 had to be sacrificed, but most of what they chose was poor thin stuff fit only for repairing topgallants or royals; for the Surprise was sold with all her equipment, and these sails had been sun-bleached and worn threadbare in the tropical Pacific during her last commission.
    When the decks were dry - for nothing but imminent

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