began to work his way through the stack of correspondence on his desk. After one false start, he pushed Lydia Jean and Leila back into storage cupboards in the back of his mind and closed those doors which would isolate them completely until he would be free to once again give them his attentions.
Eight
CRISSY HARKINSON AROSE a little before noon on the day after first taking the boy, Oliver Akard, into her bed. The double thicknesses of draperies kept the room in semi-darkness, the switch on the bedside phone had been turned off, and the little Cuban maid had long since been taught to work in silence until the coffee summons from the bedroom of the mistress released her from such constraint.
She remembered that her last glance at the luminous dial of the radio clock, just after the boy had slipped out onto the dark terrace and closed the sliding door, had shown that it was just four in the morning.
She trudged slowly, solidly, heavily, through the dressing room alcove and into her bath, touched the silent switch and, when the cruel lights flickered and went on, she stared mockingly and mercilessly at herself in the mirror, at the tangle of her hair, deep smudges of fatigue under her eyes, face slack under the tan, mouth pale andswollen—pulpy looking. Her body felt stretched and wearied and lamed. At thirty-six, my lady, she told herself, such a romping takes one hell of a toll, and he lives up to Kinsey’s report on that age group, and you have got your work cut out for you to hew your way quickly back down to that twenty-eight you damned well have to make him believe.
She started with an amphetamine, and then a long hot sudsy languid shower, turning to a very brisk cold shower. Then harshly astringent lotions, a soothing gentleness of cream, subtle care with the eye makeup, including the drops of magic which made them shine with the imitation of youth. The amphetamine had begun to hit, lifting her spirits, taking away the weariness which had seemed bone-deep, and after she had brushed and poked her almost-dry hair into the casual and youthful style which seemed to do the most for her this year, she selected and put on a pale, fitted, silver-blue housecoat with a fussy girlish frothiness of lace at the throat. She turned this way and that, smoothing the fabric down over her hips with the backs of her hands, moved a little closer to the mirror and gave herself what she called her Doris Day smile.
“You might just make it, kid,” she whispered.
She went to the bedroom intercom, pressed the lever and said, “Francisca?”
She heard the quick light sound of the girl’s approaching footsteps and then the merry voice of first greeting.
“I think maybe you could squeeze about three or four of those big oranges. Enough for a tall glass. And a pot of coffee.”
She went over and pulled on the drapery cords, hand over hand, opening the whole side of the bedroom to the bright day. She bent over the low broad bed and balled up the tangle of pale yellow sheets, carried them in and stuffed them into the hamper. From the linen closet she selected pale green sheets and pillow cases and tossed them onto the bed for Francisca to make it up. From the rug besidethe bed she picked up the orange and white striped shift, shook it out, reflected with bitter humor she hadn’t gotten much use out of it this time, took it in and hung it up carefully.
When Francisca knocked and brought the tray in, Crissy Harkinson went to her chaise and sat and swung her legs up, and gave the maid a mechanical smile as she reached and took the tray with its short legs and set it across her thighs.
“Was come for a school theeng,” Francisca said. “Small girls on bicycle. Teekits to send off the music somewheres. One dollar from the bockus I give. Hokay?”
After a pause for comprehension, Crissy said, “That was fine, dear. Would you do the bed now, please?”
She unfolded the morning paper. Friday. The twentieth day of May. Her heart tilted
Jill Bolte Taylor
Kathleen Ball
Philippa Ballantine, Tee Morris
Lois H. Gresh
Sylvia McDaniel
Shirlee Busbee
John Norman
Norah Lofts
Rachelle McCalla
Jeffrey Archer