The Killings at Badger's Drift

The Killings at Badger's Drift by Caroline Graham Page A

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Authors: Caroline Graham
Tags: Fiction, General, Mystery & Detective, Crime
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time I saw him he was just over four feet tall and weighed in at around five stone. He was into Depeche Mode, BMX and computer games and played a mean game of basketball. Of course that was some considerable time ago. It’s probably all different now.’ Sarcasm and anger failed in the last remark. His voice, thick with emotion, broke off suddenly.
    ‘Thank you, Mr Whiteley.’ Barnaby waited a few moments then continued, ‘To return to the evening of the seventeenth. Can you tell me when you left the Bear?’
    Whiteley took a long deep breath before replying. ‘Roughly half an hour before closing time. They might remember. I’m a regular there.’
    ‘And you drove straight home?’
    ‘Yes.’
    ‘Could you give me the make and registration of your car?’
    ‘It’s a Citroën estate. ETX 373V.’
    ‘Fine.’ Barnaby rose. ‘You’ve been very cooperative. I believe, Miss Lacey, you mentioned there was someone else living here?’
    ‘Well yes,’ Henry Trace said, ‘there’s Phyllis. But isn’t she down at her new place?’
    ‘No.’ Katherine rose to her feet. ‘I heard her come in half an hour ago. I’ll show you the way.’ She pointed her words in the general direction of Barnaby but without looking at him. As she took the first step away Henry caught her hand.
    ‘Come straight back.’
    ‘Of course I will.’ She bent her head and kissed the corner of his mouth. It was a chaste kiss, but the look she got in return was far from chaste. They made a charming picture, thought Barnaby. Trace with his distinguished severe profile, the girl fresh and lovely bending over him, both posed against a fall of grey watered-silk curtains. Perhaps it was this final rather theatrical touch that gave Barnaby the feeling that the charming scene was in some way unnatural. It seemed so contrivedly perfect; brimming with false pathos like a sentimental Victorian greeting card or an illustration from Dickens. He couldn’t quite explain this perception. It was not that he believed either of them was playing a part. He shifted his gaze to include David Whiteley. Perhaps his presence had been father to the thought. Perhaps it was simply that the girl was with the wrong man. That youth should call to youth. Barnaby watched Whiteley watching the girl. His glance was far from chaste as well. Barnaby thought that Henry Trace would be a very unusual man if, when his fiancée and his farm manager were both out of his sight, he didn’t occasionally wonder . . . A collector will naturally expect a covetous attitude on the part of other collectors. Especially with regard to his prize specimen.
    Katherine led them up a tall curved staircase and down yet another corridor, this one sporting little highly polished half-moon tables holding vases of flowers, snuffboxes and miniatures.
    ‘What is the lady’s full name?’
    ‘Phyllis Cadell.’
    ‘Miss?’
    ‘Very much so.’ The squeeze of lemon in her voice intrigued and pleased Barnaby. Too much sweetness and light could cloy after a while, in his opinion. Rather a short while too. He liked what he called ‘a bit of edge’. He wondered what Phyllis Cadell’s exact position in the household was and if it would change after the marriage. Surely any new wife would want to take the reins into her own hands. And, with a disabled husband, she would need to be exceptionally capable. He looked at Miss Lacey’s slightly sunburned hand as she knocked at the door. It looked stronger than her rather flower-like appearance would lead you to expect.
    ‘Oh Phyllis - I’m sorry to disturb you . . .’
    Barnaby followed her into the room. He saw a rather plump, middle-aged woman with a slab-like face, gooseberry-green eyes and dull brown hair done in a youthful style with a fronded fringe and hard tight little curls. Atop her long pale face it looked foolish, like a wig on a horse. She was sitting in front of a large flickering television set, a box of fudge on her knees.
    ‘. . . it’s the

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