The Journeyer

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Authors: Gary Jennings
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main streets of the central city, and because so many of the pallbearers were elderly, they changed places frequently with new men. And the litter was again followed by the Dogaressa and all the other court mourners, now on foot, and by bands of musicians playing doleful slow music, and contingents from the flagellant brotherhoods lethargically pretending to whip themselves, and finally by every other Venetian not too young or old or crippled to walk.
    I could do nothing during the water-borne procession except watch it from the banks with the rest of the citizens. But by the time it came ashore, I decided that good fortune was attending my scheme. For there also came in from the water the twilight caligo again, and the obsequies became even more melancholy and mysterious, shrouded by fog, the music muffled and the chants lugubriously hollow.
    Bracket torches were lighted along the route, and most of the marchers took out and lighted candles. For a while I walked among the common herd—or limped, rather, since the sword along my left leg forced me to swing it stimy—and gradually eased myself to the forefront of that throng. From there I could verify that almost every official mourner was cloaked and hooded, except the priests. So was I well covered, and in the thick mist I could be taken for one of the guilds’ artists or artisans. Even my size was not conspicuous; the procession included numerous veiled women no bigger than I was, and a few cowled dwarfs and hunchbacks smaller than I was. So I edged my way imperceptibly among the court mourners, and ever farther forward, being challenged by nobody at all, until I was separated from the litter and its pallbearers only by a rank of priests yammering their ritual pimpirimpàra and swinging censers to add smoke to the fog.
    I was not the only inconspicuous marcher in the procession. What with everybody being so shrouded in cloth and in the almost equally woolly mist, I had a hard time picking out my quarry. But the street march was long enough that, by moving cautiously from side to side and peering sharply at the little of each man’s profile that protruded beyond his cowl, I at last was able to perceive which was Ilaria’s husband, and thereafter I kept my eye on him.
    My chance came when the corteggio finally debouched from a narrow street onto the cobbled embankment of the city’s north shore—on the Dead Lagoon, not far from where the boat children’s barge lay, though that was invisible in the fog and the now near-dark. Alongside the embankment was the Doge’s bark, which had circled the city to get ahead of us, waiting to ferry him on his last voyage—to the Isle of the Dead, also invisible far offshore. There was a milling of the mourners, as all the men nearest the litter tried to help its bearers hoist it aboard the bark, and that gave me the opportunity to mingle in with them. I elbowed until I was right beside my quarry, and in all the shoving and bustling no one remarked the struggle I had to make to unsheathe my sword. Fortunately, Ilaria’s husband did not manage to get his shoulder under the litter—or the dispatching of him might have meant the Doge’s getting dropped into the Dead Lagoon.
    What did get dropped was my heavy scabbard; somehow my fumbling had unhooked it from my tunic belt. It clattered heavily onto the cobblestones and kept on noisily proclaiming itself as the many shuffling feet kicked it about. My heart bounded into my throat and then almost popped out of my mouth as Ilaria’s husband bent down to pick up the scabbard. But he made no outcry; he handed it back to me with the kindly comment, “Here, young fellow, you dropped this.” I was still right next to the man, and both of us were still being buffeted by the movement of the crowd around us, and my sword was in my hand beneath my cloak, and that was the moment to strike, but how could I? He had saved me from immediate discovery; could I stab him in return for the favor?
    But

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