fingertips along the flaking white clapboard as we skirt around the side to the beach path. Every time we had a few bucks, or a new baby, we added on a room. Itâs higgledy-piggledy, as Vita used to say, but we love it. Now, the house and I have both seen better days. I glance up at the terrace where Annie, my Annie, sits gazing out at the sea, a smile on her lips. Our home, the place we chose to plant our flag. Gabe and Annie, a couple of kids playing house. I always expected at some point it would feel like we were grown-ups, but it never did. Still doesnât. Sometimes it still surprises me to look in my shaving mirror and see an old guy staring back. My hip twinges as I climb gingerly down the wooden steps and shuffle onto the beach. I pick up the stick I turned one winter from its place beside the steps, and we walk down toward the hard-packed shore, where itâs easier walking. âWe lost everything in France. Once thatâs happened to you, you realize how little things matter. We never needed anything more than one another.â I wave my stick at the sea. âThan this.â
âHow many kids do you have?â
âKids?â I laugh. âOur babies are old crones now. My youngest grandson Harryâs about your age.â Come to think of it, this girl would be just his type. He likes these city girls, tough and polished as hazelnuts, sweet and yielding inside. Maybe Iâll get him to drive her back to the station, work his magic. Maybe a distraction will make her forget she hasnât found out what she came here for.
âHarry?â She sounds wistful. Perhaps luckâs on my side and sheâs alone or lonely. âYouâre lucky, having family nearby. Are they all painters too?â
âMy kids? No, they took after their mother, far too sensible. I didnât care as long as they did something vaguely creative. I couldnât have borne it if theyâd become bankers and lawyers.â I throw her a bone. âMy grandsonâs a painter, though.â I know you shouldnât have favorites, but I love that kid. He looks just like me at that age. All our children turned out blond and fair, just like Annie, but he has my olive skin and dark hair.
âIs he any good?â
âItâs too soon to tell if he has it in him.â
âSo how did you and Annie end up here, from France, I mean?â She hesitates, wary now, trying to hide how much she wants her answers. âIâm surprised. You donât even sound French.â
At that, I laugh. âIt was a long time ago, and itâs a long story.â I turn to her, the surf crashing against the shore, the sunlight glancing off a mirror mobile spinning in the breeze on the porch. The infernal tinkling of Annieâs wind chimes drifts across to us. âListen, Iâll cut you a deal. If you leave me and Annie out of the story, Iâll tell you anything you want to know about Vita.â She waits silently, until I give in. Patience will serve this Sophie well. Itâs amazing how many people will talk to fill a silence and say more than they intend. âDamn it. You want me to tell you everything, donât you?â
She nods. âTell me about France. Start at the beginning.â
Â
THIRTEEN
M ARSEILLE
1940
M ARY J AYNE
Mary Jayne and Miriam settled into their seats as the blue-and-cream tram lurched away along La Canebière toward Aubagne, sounding its foghorn. Dagobert, Mary Jayneâs large black poodle, circled once, twice, then flopped down in the aisle beside them, his snout on his paws. The landscape opened up as they headed east toward the suburbs; gray limestone hills, palm trees, and the dancing light of autumn sun on the water trundled past. âI do love the smell of these old things,â Mary Jayne said, checking her reflection in a platinum compact. The air was rich with the scent of charcoal burning. Sometimes the city seemed to smell like
Mia Josephs, Riley Janes
Roxane Beaufort
Mark Dawson
Maya Banks
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Stephen Dobyns
Anchee Min
Michael Blumlein
Hilary Gilman
Stephen Solomita