years, and no one had given it a thought. Aonghas gave it to me to scribble on when I was a kid.â He grinned at her expression, then turned tothe back of the book and showed her childish drawings of aeroplanes and rocket ships. âThatâs my contributionâI suppose the book came from the big house when they cleared it out. I found it again when we moved Aonghas out of the farmhouse and realised then what it was. I liked those two particularly.â She turned back to study the drawings, and even as the thought struck her, he spoke again. âItâs the same girl as in The Rock Pool. â
âWho is she?â
âNot sure.â He shrugged and gestured to her mug in the hearth.
âCould it be his wife?â She reached for it and noticed that the file on the floor lay open at the illustration of the cracked wall of Muirlan House.
âNo. He married late. He was only nineteen in 1889, and the clothing suggests an island girl. Painters often used local people in their compositions.â
âBut thereâs more, surely. Thereâs a familiarity . . .â she said, looking more closely.
ââwith the form beneath the clothing?â His eyes gleamed a moment. âI know what you mean.â Then he nodded towards the kitchen area, changing the subject. âThat phone call was from a supplier on Skye. Apparently the ferryâs had to turn back with engine trouble, so if the police team were on board, theyâll not be here until tomorrow.â
But she was still looking at the girl stretched out on the sand. âI wonder if theyâll be able to find out who it was.â
He shrugged again. âWho knows.â
The peat settled in the fireplace as he sat down opposite her, placing his mug in the hearth. Neither spoke for a moment, then she gestured to the open report on the floor. âWere you having a rethink?â
ââFraid not. The facts remain.â
Was it just the facts? She sipped at her tea, looking at him over the rim. Or something else. Something hidden.
She hesitated, then decided to probe a little. âYou donât approve of my plans, do you?â
He looked taken aback and picked up his mug again, taking a moment to reply. âDoing anything with the old place would cost you a fortune.â
âYes. You said.â
He smiled, swirling the tea around in his mug and staring into it. âNothingâs going to change that, you know. No amount of dreaming or planning. Itâs a wreck.â
She picked up the report from the floor and flipped through the pages, piqued by his manner. âPerhaps I should get a second opinion.â
âBy all means.â
She turned his illustration of the cracked wall on its side, pretending to study it again. âThereâs something you donât like about the project, though, I can tell. And I bet you have an idea who the bones are,â she added, flicking a glance at him.
âIf I knewââ
âI didnât say know , I said have an idea . Or can guess? Or maybe Ruairidh can.â
He sat back, nursing his mug against his chest, considering her. âLike we said, thereâs no island lore about someone disappearing, unaccounted for.â
She glanced again at the sketches, then added, âBut identifying the bones is only one question, isnât it?â
âMeaning?â
âSomeone else did the killing, and the burying. Maybe you have an idea about that?â
He seemed amused by the interrogation. âTricky one, that, not knowing who the victim is. Next question?â
She hesitated. âAlright. Tell me what island lore says about Theo Blake. Iâd like to know.â
âWould you?â He got to his feet and brought the teapot over, refilling both mugs, then he reached up to one of the photographs hanging on the wall and passed it to her. âRecognise this?â
She took it, a faded sepia image of a
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