The Grave Tattoo

The Grave Tattoo by Val McDermid Page B

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Authors: Val McDermid
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served as a living diagram in an anatomy class, the muscles large and well defined. He glared down at her. ‘Wassup?’ he demanded in a mid-Atlantic drawl.
‘I need to see John Hampton,’ she said, her voice half an octave higher than normal, her accent scarily middle-class even to her ears.
The man looked amused. ‘He’s not expecting you.’ He began to close the door.
Jane put out a hand to stop him, knowing she didn’t have a cat in hell’s chance against the power of his shoulders but making the gesture anyway. ‘I do need to see him,’ she said. ‘It’s a family matter.’
He gave her a disbelieving look. ‘I don’t think so.’
‘Please, just tell him Jane Gresham needs to see him about a family matter. I’ll wait.’
‘You might be here for a long time, Jane Gresham.’ He pushed gently against the door and she dropped her hand. She was banking on the woman at the bus stop having told the truth when she said the Hammer kept an eye on Tenille. If that were true, he could not fail to know about Jane’s place in her life. It might be enough to gain her admission.
She paced to and fro between the door and the lift for what felt like a very long time but was probably only a couple of minutes. When she heard the door open, she whirled around to find the same young man beckoning her. ‘Your lucky day,’ he said. ‘Mr Hampton’s a very busy man, but he can give you five minutes.’
‘That’s all I’ll need.’ She followed him into the flat, whose interior was unlike any other she’d seen on Marshpool Farm. The thick carpet in the hall matched the burgundy of the front door, and the pale walls were decorated with framed photographs of performance cars. The man gestured to her to enter the living room, then closed the door behind her. The room smelt faintly of sandalwood. Sitting opposite her on a cream leather sofa beneath a huge gilt-framed reproduction of one of Jack Vettriano’s film noir paintings was a short, square black man wearing blue jeans and a white T-shirt. His head was as bald as a bowling ball, his brown eyes deep-set like finger holes. Jane had never been this close to John Hampton, but she’d seen him in the distance. It didn’t prepare her for his charisma. Afterwards, she couldn’t have described the room; his presence dominated her consciousness. She understood at once how John Hampton had come to wield the power he did.
‘Dr Jane Gresham,’ he said, his voice a bass rumble. ‘What brings an English teacher to my door speaking of family?’
‘I want to talk to you about Tenille,’ she said, trying not to show how unnerved she felt. ‘May I sit down?’
He waved towards a matching armchair in the corner. ‘Be my guest. Tenille?’ he said, making a show of racking his brains. ‘One of the kids on the estate, right?’
‘People say she’s your daughter.’
‘People say a lot of things, Dr Gresham. A lot of them are bullshit.’ His face was impassive, his body still.
‘It’s true she doesn’t take after you in looks,’ Jane said. ‘But I suspect she’s inherited your ambition. And your toughness. And your intelligence.’
‘Flattery won’t get you child support, if that’s what you’re after.’
‘There’s more than one kind of child support, Mr Hampton. And right now, Tenille needs something from you.’ She couldn’t quite believe her nerve.
He sighed and rotated his head, as if loosening a stiffness in his neck. ‘You’re bold, I’ll give you that. But you’re confusing me with someone who gives a shit.’
Jane pressed on regardless. While she was still in the room, she had a fighting chance to break through his apparent indifference. ‘Her aunt has a boyfriend called Geno Marley. He’s been sniffing around Tenille. And last night he tried to rape her.’ Now she sensed she had his full attention, though she could not have said quite what had changed.
‘I don’t understand why you’re telling me this, Dr Gresham. This Marley character isn’t

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