belong to a minor denomination, and so concentrated on the Episcopalian, Lutheran, and Catholic churches. The tiny letters blurred before his tired eyes, whirled around, found themselves again in long rows, and marched down the column of listings.
CATHEDRAL CHURCH OF ST. JOHN THE DIVINE . The name was in larger print, and in bold. Amsterdam Avenue and 112th Street. There was a map on the wall of the study. He found the cathedral and also located the Epps’ apartment. It wasn’t too far away. Georg felt as if he had made it.
21
HE WOKE UP ON THE COUCH in the study, still dressed, curled up and aching. He crossed the hall to the living room. The sun cast a broad band of rays through the large windows. He looked out. Below him was a stream of traffic, and across the street lay Central Park. Skyscrapers in the distance towered into the clear blue sky of Manhattan. He opened the window and heard the noise of the traffic, the clattering of the subway under the street, and the children in the playground at the edge of the park.
Outside, he drank in the atmosphere of the city. He walked uptown along Amsterdam Avenue. The buildings, at first tall and well maintained, shrank into four- and five-story houses. Fire escapes hung black and heavy into the streets. The stores had signs in Spanish. The streets became louder and more lively. The pedestrians were increasingly black and Latino; there were more drunks, panhandlers, and teenagers carrying boom boxes. He walked fast, his eyes flitting over buildings, people, cars, traffic lights, hydrants, mailboxes.
Georg didn’t see the cathedral until he reached the intersection. The cross street was flanked by low Gothic buildings, behind which the massive gray cathedral rose up. He crossed the street andtook out the photograph of Françoise with the print of the cathedral hanging on the wall behind her. He compared it to the building in front of him. The towers to the right and left of the portal only reached the height of the nave, and the cupola over the crossing was still in bare cement, but otherwise everything matched perfectly. Steps stretching the whole breadth of the cathedral led up from Amsterdam Avenue to the five portals.
The inside was gloomy and steeped in secrets, the dim light coming from lamps and the stained-glass windows. The columns faded upward into the darkness. He walked through the nave with the respect his parents had always shown on entering a church. Only the area around the choir stalls was brighter. He found the gift shop on the left, and strolled among the display cases and tables, his eyes scanning the books and cards, soaps, fruit preserves, sweatshirts, bags, and cups, until he came upon a large print. He recognized it. Françoise had cut off the lower part where it said: THE CATHEDRAL OF SAINT JOHN THE DIVINE. MORNINGSIDE HEIGHTS IN THE CITY OF NEW YORK. CRAM AND FERGUSON, HOYLE, DORAN AND BERRY, ARCHITECTS, BOSTON . It was the front view of the west facade. He kept reading the text over and over as if it might reveal something.
On his way back to the entrance he sat down. Now what? Did this mean that Françoise was living in New York, or just that she had lived here before? Someone could have given her the print as a present, or she could have bought it at a flea market or in a junk store. She had cut off the reference to New York, but it wasn’t clear whether she was trying to cover something up or whether she just didn’t want the text. If she had been in New York but was no longer here, he might as well look for her in Paris, Sydney, or San Francisco. But even if she was in New York, it would be like looking for a needle in a haystack.
His eyes had adjusted to the dim light. The distant voices heheard came from a tour group visiting the cathedral. The chairs in the row were battered, some with frayed wickerwork. The columns no longer melted into the darkness above, but were supporting a ribbed vault. No secrets—just bad lighting, gloomy
CATHEDRAL CHURCH OF ST. JOHN THE DIVINE . The name was in larger print, and in bold. Amsterdam Avenue and 112th Street. There was a map on the wall of the study. He found the cathedral and also located the Epps’ apartment. It wasn’t too far away. Georg felt as if he had made it.
21
HE WOKE UP ON THE COUCH in the study, still dressed, curled up and aching. He crossed the hall to the living room. The sun cast a broad band of rays through the large windows. He looked out. Below him was a stream of traffic, and across the street lay Central Park. Skyscrapers in the distance towered into the clear blue sky of Manhattan. He opened the window and heard the noise of the traffic, the clattering of the subway under the street, and the children in the playground at the edge of the park.
Outside, he drank in the atmosphere of the city. He walked uptown along Amsterdam Avenue. The buildings, at first tall and well maintained, shrank into four- and five-story houses. Fire escapes hung black and heavy into the streets. The stores had signs in Spanish. The streets became louder and more lively. The pedestrians were increasingly black and Latino; there were more drunks, panhandlers, and teenagers carrying boom boxes. He walked fast, his eyes flitting over buildings, people, cars, traffic lights, hydrants, mailboxes.
Georg didn’t see the cathedral until he reached the intersection. The cross street was flanked by low Gothic buildings, behind which the massive gray cathedral rose up. He crossed the street andtook out the photograph of Françoise with the print of the cathedral hanging on the wall behind her. He compared it to the building in front of him. The towers to the right and left of the portal only reached the height of the nave, and the cupola over the crossing was still in bare cement, but otherwise everything matched perfectly. Steps stretching the whole breadth of the cathedral led up from Amsterdam Avenue to the five portals.
The inside was gloomy and steeped in secrets, the dim light coming from lamps and the stained-glass windows. The columns faded upward into the darkness. He walked through the nave with the respect his parents had always shown on entering a church. Only the area around the choir stalls was brighter. He found the gift shop on the left, and strolled among the display cases and tables, his eyes scanning the books and cards, soaps, fruit preserves, sweatshirts, bags, and cups, until he came upon a large print. He recognized it. Françoise had cut off the lower part where it said: THE CATHEDRAL OF SAINT JOHN THE DIVINE. MORNINGSIDE HEIGHTS IN THE CITY OF NEW YORK. CRAM AND FERGUSON, HOYLE, DORAN AND BERRY, ARCHITECTS, BOSTON . It was the front view of the west facade. He kept reading the text over and over as if it might reveal something.
On his way back to the entrance he sat down. Now what? Did this mean that Françoise was living in New York, or just that she had lived here before? Someone could have given her the print as a present, or she could have bought it at a flea market or in a junk store. She had cut off the reference to New York, but it wasn’t clear whether she was trying to cover something up or whether she just didn’t want the text. If she had been in New York but was no longer here, he might as well look for her in Paris, Sydney, or San Francisco. But even if she was in New York, it would be like looking for a needle in a haystack.
His eyes had adjusted to the dim light. The distant voices heheard came from a tour group visiting the cathedral. The chairs in the row were battered, some with frayed wickerwork. The columns no longer melted into the darkness above, but were supporting a ribbed vault. No secrets—just bad lighting, gloomy
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