asked.
âOh, indeed. And just as beautiful as Dickie. His name was
originally Plotkin, as I recall. Anyway Bobby and Dickie were always up for the same parts and they became inseparable. Iâd see them at the same auditions and the same bars. They were always hanging around together. If anyone would know what happened to Dickie it would be Bobby Prince. Heâs been retired for years, but I shall track him down and give him a call on your behalf this very instant. Itâs the least I can do.â
âItâs not too late to call?â said Molly. Her watch had stopped hours ago, but it had to be after midnight.
âOf course itâs too late, but this is for old timesâ sake. Now who would have his number? Nick Lawlor? Suzy Winston? Chita? Iâll have to check around.â
Obviously relishing the prospect of waking half the people in New York, Tuck bounced up from his chair and headed toward a bank of telephones near the restrooms. Someone turned up the volume on the jukebox, which was blaring show tunes. A guy from another table came over and without a word pulled Nell off to a small open area where people were dancing. Molly nervously watched her go, then looked over to find herself alone at the table with the unpleasant actor who had played the DA in the play.
âWhy doesnât your sister talk?â he said, taking a sip of his scotch.
âIâd rather not go into that if you donât mind,â said Molly, trying to be polite. âItâs very complicated.â
âYouâre her keeper?â
No, she didnât like him at all.
âIâm her sister,â Molly said evenly and turned away, using every ounce of body language she could muster to let the man know how she felt about him. It didnât work. He scooted over into the chair next to hers.
âYou live together in North Carolina?â he asked.
âHow did you know weâre from North Carolina?â
âYou mentioned it. Liz asked if you were from the moon. You said North Carolina, though I could tell anyway from your accent.â
âI donât have any accent. Yâall are the ones with accents. Do you always listen to other peopleâs conversations?â
âSometimes. So how long have you been taking care of your sister?â
âWhat is this? An interrogation? The play is over. Youâre not really a courtroom lawyer, you know.â
âI am, actually.â
Molly gave this the look it deserved.
âNo, itâs true,â he said, cracking a smile, the first one Molly had seen from him, onstage or off. âI was an assistant district attorney in Stamford, Connecticut. The woman who wrote the play you saw tonight served on a jury of a case I tried. When Longwharf first presented Bank Street Story, they couldnât find anybody believable for the prosecutor so she persuaded the producers to give me an audition. I hated my job and desperately wanted to change my life. They offered me the part, and I grabbed it. When the play moved to Broadway, I came along. My nameâs David in case you didnât read your program. David Azaria.â
âMolly OâHara. As Iâm sure youâve overheard. I enjoyed your performance tonight. Sort of.â
âThanks. Sort of.â
They sat in awkward silence for a moment.
âSo are you going back to being a lawyer when the play closes?â Molly said finally, just to get him to stop staring at her.
âNope,â he said. âNot that I like acting so much. The rehearsals are great, but after the first month of performances I was so bored I was ready to shoot myself. Then I started appreciating it from a deeper perspective. Doing the exact same sequence of actions, night after night, can be very Zen if you let it. Like the
Japanese tea ceremony. Iâm using the time to learn more about the craft. Already casting directors are fighting over me for daytime TV, and Iâm doing
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