had hoped, to be the only guest, and sat willing herself to feel less agitated and more at ease. As her eyes adjusted to the brightness she became aware that she was not, after all, quite alone, for on a desk at the window nearest to her chair stood a framed photograph, a head-and-shoulders portrait of a young woman who could only be Lydia. She was both like and unlike the Lydia of Julia's imagination: at first glance the face appeared rounded and child-like, especially in the set of the lower lip and chin, but there was also a subdued sensuality which became more apparent the longer one looked into the dark eyes that gazed so directly back, the eyes of a woman fully aware of her power to charm—or mesmerise. "For ever wilt thou love, and she be fair!" the words echoed suddenly in Julia's awareness, and left her wishing she had not recalled them.
She was still absorbed in contemplation of Lydia's portrait when Frederick returned with the tea-tray. But he did not seem to notice, and instead launched into an account of how he had that morning read and reviewed four three-decker novels without cutting a single page, delivered his copy, and sold all four in pristine condition in Fleet Street in time for lunch. Julia felt a certain pang at the thought of judgement being passed so lightly upon all those months or years of hard authorial labour, but reminded herself sternly that Frederick was obliged to earn most of his own living by his pen, and had not the luxury of Ernest Lockhart's twelve hundred a year, which prompted a pang of quite another sort. They started several other topics, but none of them seemed to catch fire; perhaps it was the effect of Lydia's cool, steady gaze, which Julia could neither dismiss entirely from her consciousness nor allude to directly; at any rate the constraint seemed to grow between them until she sat miserably wishing she had not come. The room, too, was very close; she could feel herself becoming flushed and overheated as her unhappiness increased, until she was obliged to ask Frederick to open a window. He sprang from his chair in a welter of apologies and threw open the French windows, letting in a welcome draught of air. Unable to bear the pressure of Lydia's regard an instant longer, Julia rose and went to join him in the doorway.
She had never been—at least she felt she had never been—so high above the ground. The balcony appeared to her no larger than a window-box, with a small semicircular floor of pressed metal, and two hooped black horizontal railings curving out into empty space. The higher of these was only a little above her own waist. Even standing in the doorway, she seemed to be looking straight down into the abyss. Julia had stood close to the edge of a precipice without feeling anything like the fear that gripped her now; the sheer, vertiginous chasm beneath her feet seemed to be drawing her irresistibly towards the brink; in another second she would surely pitch head-first over the rail and into the void. All of these impressions raced across her mind in the space of a single glimpse, during which she was also aware of Frederick turning towards her and opening his mouth as if to speak, but ridiculously slowly, so that he reminded her of some great bird ponderously opening its beak. With the same absurd slowness, she saw herself reaching for his arm to save herself from falling, suspended between terror and a strange impulse to laugh at Frederick's gathering her in such a leisurely fashion into his embrace that she seemed to have time to reacquaint herself with every nuance of his expression before feeling, at last, the pressure of his lips upon her own. The sensation of vertigo remained; perhaps they had indeed fallen, but it did not seem to matter, for she felt quite weightless, and might as easily have been floating up as down.
T HAT EVENING SHE WALKED ALONE AROUND THE BANKS of the Serpentine and felt the world to be a blessed place. She knew, dimly, that the gulf
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