The Fire Kimono
of many villas built after the Great Fire. Noble families now usually had three different residences-an “Upper House” near Edo Castle, for the lord, his family, and his retainers; a “Middle House,” farther away from the castle, for an heir or retired lord; and a “Lower House,” a villa in the suburbs, for evacuation during emergencies or for clan members not needed in town. The villa at which Sano and his men stopped was located in a quiet enclave of samurai residences amid the townspeople’s houses and markets. Guards greeted Sano and his men, took charge of their horses. Ushered inside, Sano found himself in a reception room quaintly decorated with a mural of dragonflies and frogs on a lily pond. Servants bustled off to fetch the women.
    They returned carrying Lady Ateki, a minute woman more than eighty years old, her bones as fragile as a bird’s under her gray kimono. Her nose was shaped like a beak, her sparse gray hair tied in a feathery knot. When the servants gently settled her on cushions, she resembled a dove on a nest. Her daughter sat protectively beside her. Oigimi wore a dark brown kimono, and a black scarf shrouded her head. She kept her face turned to her left, toward her mother, away from Sano.
    Tea was offered, politely refused then accepted, and served. Lady Ateki addressed Sano: “Did His Excellency the shogun Tokugawa Ietsuna send you?” Her quiet voice sounded like paper crumpling. The wrinkles in her face drooped downward, giving her a permanently mournful expression.
    “No,” Sano said. “Unfortunately, he’s been dead twenty years. Tokugawa Tsunayoshi is shogun now.”
    “Dear me, how time rushes by.” Lady Ateki sighed. “Who did they say you were, young man? Chamberlain Yanagisawa?”
    “No, Mother.” Impatience tinged Oigimi’s voice. She was in her fifties. Thick white rice powder covered gaunt, plain features on the side of her face that Sano could see. “His name is Sano. You’re thinking of his predecessor.”
    At least Yanagisawa had held office more recently than the past shogun, Sano thought. But if Lady Ateki was this confused, the interview was off to a bad start.
    “Oh. Very well,” Lady Ateki said. “What brings you here, Chamberlain Sano?”
    Sano now faced a task more difficult than coping with an old woman’s foggy memory. He had to break disturbing news. “It’s about your son Tadatoshi.”
    Alert and trembling, she leaned toward Sano, one hand on her heart, the other outstretched to him. “Has he been found?”
    She had clearly never given up hope that Tadatoshi was alive. Sano hated to disappoint her. He glanced at her daughter, to see how she’d reacted to the mention of Tadatoshi, and did a double take.
    Oigimi had turned slightly in his direction. The left side of her face was twisted, seamed, and paralyzed with scar tissue under her makeup. Her lips formed a half grimace. Her left eye was a dead gray orb. Sano realized that she was a living casualty of the Great Fire.
    Consternation showed on the intact right side of her face. Whether it was in response to news about her brother or because she’d seen Sano’s instinctive revulsion to the ravages of the fire, Sano couldn’t tell. She quickly turned away, pulling the scarf over the wreckage.
    “I’m sorry to say it was Tadatoshi’s remains that were found,” Sano said. “He died not long after he disappeared.”
    “Oh.” Lady Ateki’s animation faded. “I suppose it was foolish to believe Tadatoshi could still be alive. I suppose I’ve known all along that he was dead.”
    “Of course he’s dead, Mother.” Oigimi’s voice sounded unnecessarily harsh. “If he weren’t, he’d have come back by now.”
    “Yes, you’re right,” Lady Ateki said, and Sano didn’t miss the frostiness of her tone. Oigimi might be her loyal protector, but their relationship wasn’t all peace and harmony. She turned to Sano. “How was Tadatoshi found?”
    Sano explained about the storm near the

Similar Books

The Heroines

Eileen Favorite

Thirteen Hours

Meghan O'Brien

As Good as New

Charlie Jane Anders

Alien Landscapes 2

Kevin J. Anderson

The Withdrawing Room

Charlotte MacLeod