The Final Descent (The Monstrumologist) by Rick Yancey Page A

fire and in a few thousand years you will walk on the moon.
    I crossed the yard to the old livery stable. I needed a shovel. Some bones would survive the fire and would have to be buried. All but one stall had been removed in 1909 to make room for the Lozier touring car, the most expensive on the market in those days, a gift from the company president to Warthrop for his help in the initial design. As I stepped into the dusky interior, I heard a soft bleating coming from the remaining stall at the far end. I peeked over the door. Three lambs were crowded together in the straw. They started when they saw me and rushed as one into the far corner. Black eyes against white faces. Startled mewlingfrom dark lips. Stamping anxiously the straw that crackled in the dry air.
    It won’t bother me, Mr. Henry. A bad temper shows a strong heart; that’s what my ma always said.
    And black eyes in white faces and mewling lips and straw that crackles like dry bones in an ossuary.

TWO
    Scratch, scratch.
    The thing behind the thick glass. The thing in the burlap sap.
    Scratch, scratch.
    Form casts shadow and all shadows are the same: There is no difference between the thing behind the glass and the thing in the sack. Their essence— to ti esti —is the same. All life is beautiful; all is monstrous. And Lilly with eyes like a mountain lake, pure all the way down, lips slightly parted.
    “You are the first and only girl I’ve ever kissed,” I told her that night.
    “You’re lying, William Henry,” she said. “You kiss much too well for that to be true.”
    “Lying is the worst kind of buffoonery,” I said, quotingWarthrop. “You don’t meet many girls in a monstrumologist’s laboratory.”
    “Not living ones, anyway.”
    I laughed. “Am I better than Samuel?”
    “I refuse to answer that.” Her breath warm on my face.
    “For his sake or your own?”
    She stood up so suddenly I flinched. Warthrop was standing in the doorway.
    “Will Henry,” he said quietly. “Where is the revolver?”
    “I have it,” Lilly answered, clutching it in both hands.
    “Place it on the floor in front of you, very slowly now, and step away from it.”
    I rose, keeping a grip on the bag with one hand while dropping the other into my pocket. Warthrop shook his head. He stepped into the room, followed closely by a man wearing a bowler hat pulled low over a face ravaged by smallpox, deeply scarred and cratered. He gestured toward me with the empty hand, the hand that wasn’t holding a gun against the doctor’s head.
    “Let’s have it, boy,” he said in a thick Irish brogue.
    “Do as he says, Will Henry!” Warthrop ordered in a sharp voice. “Let the man have it.”
    I held out the bag. He reached around the doctor and snatched it from my hand. Behind me Lilly hissed between her teeth. Warthrop’s eyes burned with fury.
    “Thank you very much!” the man called, backing away into the corridor. “And here’s for your trouble!”
    He fired once, striking the doctor in the leg, before racing away. I whirled toward Lilly, who’d already picked up the revolver; she tossed it at me, and I leapt over Warthrop writhing on the floor, paying no attention to his cry for me to stop. I fired as the bowler-hatted man turned the corner toward the curator’s office. The bullet chewed off a chunk of Monstrumarium wall. I reached the foot of the stairs; a bullet whistled past my ear, embedded itself in a crate. Then the loud clang of the upper door slamming shut, and I raced up the winding stairs to the first floor, down the hall to the exit, and that door was swinging shut and I caught a glimpse of the brown burlap, and then I was through the door and on the street and he’s swinging onto a horse behind another man also wearing a bowler hat and I fired again as the horse bolts, hooves clattering on the granite, beneath the smoky arc lights and the naked branches of the trees etched against the winter sky.

THREE
    I hurried back to the Monstrumarium.