straighter, like Mr Draper when heâs about to lecture. âWe are every one of us connected to Limbo at all times. Just as we are connected to Life, we are connected to Death. That connection is Limbo. Most souls have such faint connections to Limbo that they donât even recognize itâs there. When their bodies die, they hardly see Limbo as their souls pass through. It is but a blink on their journey to Afterlife. But there are a rare few who have powerful, intense connections to Limbo. When they pass through, they see it in its entirety. The full spectrum, from one end to the other. You and I, we are in the latter group. Our connections to Limbo are so powerful, so constant, we can simply step into it and walk around, as easy as stepping through a door.â
âBut how do you find the door?â
âThe door is déjà vu, just as you suspected. Everyone experiences it, but itâs stronger for people like you and I. Itâs that otherworldly pull toward Limbo, tugging at your edges. When you experience déjà vu, you let go of Earth, of gravity, of all worldly things. You let the current pull you, like youâre caught in a net. Thatâs how you step through.â
I know exactly what he means. Itâs the pull into the black, that involuntary tug Iâve felt during my visions. When I saw the Polygon game piece and all those memories came swirling in around me, I felt it full force. Iâve tried fighting it before, especially the time I was in Sunday School with Jensen, but it was no use. The pull was too strong. Too enticing, even.
âSo thatâs why you gave me the game piece,â I say. âTo trigger my déjà vu.â
He nods. âThe game piece is yours. I gave it to you a long time ago, when I taught you how to play Polygon. Youâve used it as a sort of talisman ever since, a sort of key to access Limbo.â
âBut why would I want to access Limbo at all?â
âBecause this is only the beginning. You are merely standing on the porch steps. From here, you can go anywhere.â
Anywhere.
I held the word in my hands like treasure. Anywhere meant Chicago. It meant finding a way back to Blue.
Porter takes my hand, which feels like light pressure at first, nothing more. Then the pressure builds, steadier and steadier, weighing heavy on my chest. It feels like a wide elastic band has wrapped around me, tightening until I canât move. I canât breathe.
It feels like my soul is having an asthma attack.
I gulp and gasp but nothing fills my lungs. I try to squeeze Porterâs hand, to let him know Iâm drowning where I stand, when I hear his voice in my ear again.
âYou donât have to breathe, Alex. Stop fighting. Let go.â
But I canât. I donât know how. The elastic band pulls tighter and tighter. My ribs collapse inward. My lungs canât expand.
âYou donât have lungs,â Porter says. âYou donât need air.â
The band stretches and pulls and presses, so tight it finally snaps.
A flood of sensation rushes over me like Iâm caught in a wind tunnel. My skin, or what I perceive as my skin, feels like itâs being suctioned from my body. Pulled in every direction. My hair whips out of my ponytail and tangles around my face. My scarf tugs at my neck, threatening to strangle me.
Then, suddenly, everything stops.
Â
THE FOREST OF LIGHTS
Â
Iâm standing beside Porter in the black as though nothing happened, but weâve moved. Weâre no longer in the empty stretches of Eremus. He lifts a hand to the view stretched out before us and says, âWelcome to Polestar.â
For the first time in Limbo, I can see the shapes and shadows of an organic landscape. It reminds me of standing in one of Popsâ farm fields in the middle of the night with only a full moon to light the way. There are jagged mountain peaks in the distance. Directly ahead, the faint
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