a key away. Every time you find a key, keep it. You never know when youâll come across a clock you need to wind up or door that you badly need to open.â
Nancy pulled a stool across and sat down next to the table. In the muted light from Ellaâs lamps, she looked even more Modoc than usual, her hair drawn back into a blue and white beaded headband, her eyes slightly hooded, her cheekbones distinct. She was wearing jeans and fringed suede boots, and a necklace of silver medallions and colored beads. That necklace carried its own magic: it was said to have belonged to the Modoc shaman Curley-Headed Doctor.
Nancyâs medallions jingled as she sat down; and there was an answering rattle from the metal box. Josh looked at Ella cautiously.
âThis has only happened once before,â she said. âAnd that was when I met a man whose brother was in prison, and he desperately wanted to get him out.â
Nancyâs medallions shivered again, almost excitedly; and the box rattled again, much more furiously this time. Abraxas lifted his nose over the edge of his basket but he didnât venture out.
âAre you ready for this?â asked Ella.
âI donât know if Iâm ready or not. It depends what it is.â
âItâs the power of artefacts, thatâs what it is. Like pots and pans. Like keys. On its own, metalâs just metal, isnât it? But when we make it into a shape, we teach it something, donât we? In a very spiritual way, the metal learns what we want it to do. The pot understands that it was made for cooking. The key understands that it was made for opening doors. Thatâs why these keys are making such a noise, Josh. They know that you need them.â
She unfastened the catch. From inside the box came a clicking, stirring sound, as if a collection of live crabs were trying to climb out. She hesitated for a moment, and then she threw back the lid. In a clattering rush, twenty or thirty keys hurtled out and stuck to Joshâs right hand as if it were a magnet. He shouted out,
âJesus!â
but it was out of surprise, not pain. He lifted up his hand and it was bristling with keys of all sizes and shapes â clock keys, padlock keys, trunk keys, music-box keys and some keys that were so old and blackened that it was impossible to tell what they might ever have opened.
Josh turned his hand this way and that, staring at the keys in disbelief. He shook it two or three times, and two or three of the keys dropped off onto the table, but they immediately jumped back onto his hand again. Ella grinned and shook her head in sheer pleasure.
âYou must want those doors opened so bad,â she said. âEven that fellow who wanted his brother out of prison, the keys didnât stick to him like that.â
Abraxas barked once, but when Josh turned to look at him, he ducked his head below the edge of his basket. Josh said, âThis is static electricity, right? This is a trick? Like Uri Geller or something?â
âPerhaps it is. Perhaps Juliaâs disappearance was a trick. We wonât know, will we, unless we find out?â
âAnd how do you suggest we do that?â
âWe do what you really came here for. We ask the one person who knows the truth.â
Nancy whispered, âYou mean Julia, donât you?â
Ella shrugged.
âYou want to hold a séance, is that it?â Josh asked her, sharply.
â
Moi?
Oh, no.
Youâre
the one who wants to hold a séance. You came here to see me tonight because you need
so
badly to find out what happened to Julia and you didnât know where else to turn. Why donât you admit how overwhelming your need is? Why donât you admit that youâre willing to believe in anything and everything? The cards told me you were coming, the keys told me why. You might as well carry a placard.â
Josh took a breath. âWe went to the library today and found out a whole
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