ever was one, but who the fuck was Nichols going to send in his stead?
And besides, it was a little late to play anything by the book where Jess Galvan was concerned.
Nichols wasnât proud of it, but he felt calm and strong right now, like he owned the moment. A crime scene always did that: you spun yellow tape around it, cordoned it, gave it parameters. And then you went to work. You brought logic to bear, you comforted survivors, questioned witnesses and imposed order on chaos, stabilized the world right before the eyes of the traumatized. You made them feel that whatever horrible thing had just happened, it was only an aberration. A blip. A tiny blemish on the smooth skin of civilization.
Sometimes you made yourself believe it, too.
Nichols was pretty goddamn sure this wasnât one of those times.
The car crested the hilltop, and there was Sherry, caught in the high beams, turning toward him, her face tear streaked, hugging herself for comfort or warmth. She ran toward him without uncrossing her arms, and Nichols cut the engine, stepped out just in time to enfold her against his chest.
Sherryâs sobs were huge, convulsive.
âItâs okay,â he murmured, splaying a hand across her back and rubbing. âItâs all right.â
The things we say for no damn reason at all .
He shut his trap and let the sadness run its course. Everybody stopped crying eventually, and if you tried to rush them through, the tears just welled back up, interrupted the conversation youâd been so impatient to have.
It took Sherry a couple of minutes to compose herself. That wasnât much bounce-back time; the bar on tragedy had been set pretty fucking high for the poor girl. She stepped away, wiped her face with her palms, and blinked up at him, expectant.
âYou cold?â Nichols asked. âYou wanna warm up in the car, while I have a look around?â
She shook her head, crossed her arms again, gave an involuntary shudder. âIâm okay.â
He reached into the backseat and handed her his jacket. She slipped into it, the size of the thing transforming her instantly into a little girl.
âLook,â he said, leaning back against the driverâs door. âIâm not here to judge you. Iâm here to help. This is Nichols the sheriff, not Nichols the guy sitting around watching baseball in his bathrobe, okay?â
That got the grudging tick of a smile heâd been hoping for.
âOkay. So. Who was he, and how long had you been seeing him?â
And why didnât you tell us?
Sherry sniffled, swallowed, gazed off into the darkness.
âNot long. His name was Alex.â
âAnd he was from here? He went to your school?â
She shook her head. âHe was from all over.â She looked him in the eye. âHe was nineteen. Just passing through. And nowââ
Her voice caught in her throat, and Sherry shook her head. Covered her mouth with both hands to trap the sob.
âWalk me through it again,â Nichols said after a moment. âWhen youâre ready. Everything that happened. You were in the car . . .â
But Sherry was staring off now, in the direction of the cliff, the wreckage down below. Nichols had glimpsed it on a switchbackânot close, but close enough to know it was gruesome.
âHeâs still in there,â she said, the tears leaking with the words. âShouldnât youâ I mean, what ifââ
âWeâll get to that,â Nichols assured her. âMy backup is on the way. Right now, I need to understand what happened. Why your father . . . did what you say he did.â
âI donât know.â She shook her head, slowly at first, then faster and faster. âWe were just sitting in the car, watching the sun set. And then out of nowhere, the window shattered, and thereâs myâ thereâs Galvan. He mustâve followed me from work.â
âAnd how did he
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