the doors slid closed, and the elevator lowered toward a floor unmarked and unknown to humans.
The doors opened into the quiet, plush vampire library. The Librarian, a wiry old man in a fine suit, greeted him warmly. âGood evening, Mr. Nocturne. Right this way.â
The long room, with its deep burgundy carpet and mahogany walls, was almost empty this early in the evening. The Librarian led Oliver to one of the lamp-lit tables. âLet me know if I can be of assistance,â he said politely, and departed.
Oliver twisted the silver gooseneck lamp toward him and spoke quietly into the copper microphone at its end. âBlocking a zombieâs master.â There was a moment of silence, during which Oliver glanced up and found the Librarian gazing at him curiously. That always bugged him, but he was getting more used to interested stares these days.
âForty-one,â the pleasant female voice of the Catalogue replied.
âNagual demon,â said Oliver.
âNinety-three,â said the Catalogue.
Oliver turned to leave the table when he had another idea. He turned back and said: âProphecy reversal.â
The Catalogue was silent.
âProphââ Oliver began again, but the Catalogue replied:
âThat topic is not currently contained in any known Tome. Please refer to the Central Council for further information.â
âThanks,â Oliver said, not surprised. He turned and proceeded to the end of the room and through heavy black velvet curtains. He entered the stacks, a series of floors made of grated metal, with hallways of curtained chambers, each holding an ancient vampire called a Codex.
Codex forty-one was located two floors below where Oliver was standing. He wound down a spiral staircase, then proceeded down an aisle, past black curtains with numbers engraved in plaques beside them. He stopped before the curtains for forty-one. âEnter,â instructed the Catalogue from a hidden speaker above.
Oliver ducked into the dark chamber and took his seat on the single pillow in the center of the room. Tendrils of incense smoke lingered in the air. Single candles on each wall cast spare light.
âBlocking a zombieâs master,â said Oliver.
Two glowing emerald eyes lit in the dark, and a pedestal slowly rolled forward with a grinding of gears. The Codex, wrapped in hooded crimson robes, inhaled deeply. Its breath rattled with difficulty as the ancient vampire began to speak.
âThe zombie is forever linked to the master. There is no way to undo the bond without destroying the zombie.â
âWhat about slaying the master?â Oliver asked.
âWith the master slain, the zombie will return to the earth.â
Oliver sighed. So much for that idea.
âIt is possible, however, for the connection between a zombie and its master to be temporarily blocked,â the Codex added.
âExplain.â
The Codex breathed in deeply. âA masterâs influence over a zombie may be interrupted by the placing of a hindrian enchantment upon the zombie. It does not break the connection, but rather makes the connection difficult to find for a time, thus blocking unwanted visitors from the mind.â
A question popped into Oliverâs head. âCan a hindrian charm be used against an Orani?â
âIts documented uses do include Orani deterrence.â
âHow is it done?â Oliver asked.
âThere is an ancient Skrit. When correctly etched into a channeling mineral, such as magnetite, it may then be prepared and activated with the life force of a transcendent one.â
Oliver didnât quite recognize that term. âA transcendent one?â
âA being who has achieved awareness above his or her known world.â
âFor example?â
âMost common is an oracle.â
Oliver started. Could that be ⦠âShow me the Skrit.â
The Codex raised a hand, and yellow smoke wavered before him. In it, a
Abigail Roux
Lydia Adamson
D. W. Jackson
Tom Harper
Mandy M. Roth
Shelley Gray
Faith Price
Ted Nield
Kait Nolan
Margaret Atwood