The Cosmic Puppets

The Cosmic Puppets by Philip K. Dick Page B

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Authors: Philip K. Dick
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golem-ladder Peter had rigged up. She peered around, trying to find it. The side of the barn reared, immense rough boards, towering up to lose themselves in the black sky. A structure so large she couldn't make out its extreme dimensions.
    She found the ladder. Several spiders passed her, as she awkwardly climbed it. They were descending hurriedly to ground level. And once, a host of gray rats scurried past her at an excited rate.
    She ascended cautiously. Below, among the bushes and vines, snakes rustled. Peter had all his things out tonight. The situation must have really disturbed him. She found the entrance steps and left the ladder. A hole, a black tunnel, lay ahead. And beyond it, a light. She was there. The night-flyers had never penetrated this far. This was Peter's work chamber.
    For a moment the golem paused. Mary let it stand at the entrance of the hole while she turned her attention briefly back to her regular body. Already, the regular body was getting stiff and chill. It was a cold night; she couldn't sit there on the ground, in the shadows.
    She stretched her arms and legs, knotted and unknotted her muscles. The golem might be inside the barn a long time. She'd have to find a place to stay. Maybe one of the all-night cafes on Jefferson Street. She could sit drinking hot coffee until the golem had done its business. Maybe have some hot-cakes and syrup, read a discarded newspaper and listen to the jukebox.
    She moved cautiously through the bushes, toward the field. The cold made her shiver and pull her jacket around her. Having two bodies was fun, but it was really too much trouble to be worth
    Something dropped on her. She brushed it quickly off. A spider, from the tree above.
    More spiders fell. A sharp pain seared across her cheek. She leaped wildly and slapped at it. A whole torrent of gray swarmed through the bushes and across her feet, up her jeans and over her body.
    Rats. Spiders fell on her neck and shoulders in great heaps, into her hair, down the front of her shirt. She shrieked and struggled frantically. More rats; they sank their yellow teeth into her silently. She began to run, blindly, in aimless panic. The rats followed; they hung onto her. More leaped to catch hold. Spiders scurried over her face, between her breasts, into her armpits.
    She stumbled and fell. Vines caught at her. More rats threw themselves on her. Swarms of them. Spiders fell soundlessly on all sides. She writhed and fought; her whole body was alive with pain. Gummy webs draped across her face and eyes, choked her and blinded her.
    She struggled to her knees, crawled a few feet, then sank down under the load of biting, gnawing creatures. They burrowed into her, dug for her bones, through her skin and flesh. They were eating her body away. She screamed and screamed but the web-stuff choked her voice off. Spiders swarmed into her mouth, her nose, everywhere.
    Rustles from the dark bushes. She felt, rather than saw, the glittery twisting bodies come spiraling toward her. By that time she had no eyes, nothing to see with and no way to scream. It was the end, and she knew it.
    She was already dead, as the copperheads slid moistly over her prone body, and sank their fangs into unresisting flesh.

Eleven
    “Stand still!” Doctor Meade ordered sharply. “And don't make any noise.”
    He emerged from the shadows behind them, a grim figure in his long overcoat and hat. Barton and Christopher halted warily, as he came up behind them, a massive .45 clutched in his fist. Barton let the tire iron hang loosely, ready for anything.
    Shady House loomed up ahead. The front door was open. Many windows were yellow squares; the patients were still awake. The large fenced-in yard was dark and gloomy. The cedars at the edge of the hill swayed and rustled with the cold night wind.
    “I was in my station wagon,” Doctor Meade said. “I saw you coming up the slope.” He flashed his flashlight in Barton's face. “I remember you. You're the man from

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