The Color Master: Stories by Aimee Bender Page B

told Sylvia, pointing it out, explaining, as we got out of the car. “You and me,” I said.
    She’d shaken her head and laughed. “You are so weird, Louanne,” she said, but she didn’t shake me off when I linked my arm with hers.
    G1, going home.
    At the bottom, I paid my parking dollar and said gracias to the Mexican lady who worked the booth and I told her I liked her red earrings. She sort of stared past me with eyesthat said there are more cars waiting, so I moved on ahead and made a right turn, out of the mall.
    The people were all busy in their cars, listening to the radio, so there was no one to smile at, so I just sent my love to the traffic lights. No one ever appreciates them, all day long, working so hard to turn red and yellow and green, right in time with us to make sure we don’t crash into each other. If there was any tiny chance, even the tiniest chance, that they happened to be alive, I bet I was the first person ever to tell them they were special. You are special, I said out loud in my car, but in case they couldn’t hear, I cracked my window open. “You are special,” I said, to the night air.
    And just like that, a green light.
    And then it’s me and La Cienega, all the way home.

Bad Return

    I met Arlene in college, in the freshman dorm. We were not roommates but suite-mates in the corner section of a squat brick house at the center of a small college campus in the middle of Ohio. We both had moved from opposite coasts with the desire for a personalized liberal-arts college experience and had become friends due to proximity and availability more than compatibility. For example, we had nothing in common. She: Blue Ridge Mountain town. Me: central California suburbs. She: declared international-relations major with three eclectic minors. Me: not yet totally decided. The men she liked were brutish jocks; I had located within two weeks every single soulful gentleman on campus who wrote poetry. I found them by the length of their hair or the wear of their jeans. She liked big-budget romantic movies; I saw every documentary I could find at the library, and if I’d had any retention ability, I would’ve stored a great deal of knowledge about the world. She had a perpetual perm, because she felt it added volume to the thinness of her hair and gave her a look of energy; I was hard-pressed to use a brush because I preferred a ponytail, and part of trying to attract those poet-men was to look a little like I had wandered onto campus by accident after having spent ten years with the wolves behind somefarmhouse, living off scraps and reveling in the pure air like a half–girl Mowgli, half–woman Thoreau.
    Unfortunately for me, she seemed to get a lot more sex than I did. The brutish jocks were hell-bent on getting her into bed, perm and all, and half of the poets—who were not really poets but just had volumes of very nice leather-bound, nearly blank poetry books given to them by parents who were trying to be supportive, books partially filled with the same poem, over and over, called “Life” and/or “Life II” and/or “Why Love Is an Illusion”—these men didn’t always want to touch a woman, or a man, but, rather, mostly themselves. It took me until senior year to find a poet who actually wrote poetry, and he took off my clothes very gently and spent nearly an hour on my neck and back, and when we were done and I felt all my waiting had been worth it, he explained that part of his education as a poet was to meet as many women as possible, and so this was now to be goodbye. He suggested I pretend he was going off to war on a boat. “What boat?” I said, clutching the blanket. “We live in Ohio.” He left a leaflet on my bed torn from a three-ring binder.
Your breasts are fortune cookies, full of small wisdoms
, he wrote. I read it multiple times. I almost notified the English Department. I was very tempted to show Arlene, but she was busily documenting her outings and weekends in a