if afraid of hurting her. So it was not a dream or a lie spoken on impulse. Her heart beat fast in expectation. Willing as a child, she leant against him as he moved away, not knowing where he was going. But he led her only a few steps across the room to his easel. With a swift movement, he removed the cloth covering the picture.
At first Esther was motionless. Her heart stood still. But then, her glance avid, she ran up to the picture as if to snatch the dear, rosy, smiling baby out of his frame and bring him back to life, cradle him in her arms, caress him, feel the tenderness of his clumsy limbs and bring a smile to his comical little mouth. She did not stop to think that this was only a picture, a piece of painted canvas, only a dream of real life; in fact she did not think at all, she only felt, and her eyelids fluttered in blissful ecstasy. She stood close to the painting, never moving. Her fingers trembled and tingled, longing to feel the child’s sweet softness again, her lips burnt to cover the little body with loving kisses again. A fever, but a blessed one, ran through her own body. Then warm tears came to her eyes, no longer angry and despairing, but happy as well as melancholy, the overflowing expression of many strange feelings that suddenly filled her heart and must come out. The convulsions that had shaken her died down, and an uncertain but mild mood of reconciliation enveloped her and gently, sweetly lulled her into a wonderful waking dream far from all reality.
The old man again felt a questioning awe in the midst of his delight. How miraculous was this work that could mysteriouslyinspire even the man who had created it himself, how unearthly was the sublimity that radiated from it! Was this not like the signs and images of the saints whom he honoured, and who could suddenly make the poor and oppressed forget their troubles and go home liberated and inspired by a miracle? And did not a sacred fire now burn in the eyes of the girl looking at her own portrait without curiosity or shame, in pure devotion to God? He felt that these strange paths must have some destination, there must be a will at work that was not blind like his own, but clear-sighted and master of all its wishes. These ideas rejoiced in his heart like a peal of bells, and he felt he had been touched by the grace of Heaven.
Carefully, he took Esther’s hand and led her away from the picture. He did not speak, for he too felt warm tears coming to his eyes and did not want to show them. A warm radiance seemed to rest on her head as it did in the picture of the Madonna. It was as if something great beyond all words was in the room with them, rushing by on invisible wings. He looked into Esther’s eyes. They were no longer tearfully defiant, but shadowed only by a gentle reflective bloom. Everything around them seemed to him brighter, milder, transfigured. God’s sanctity, miraculously close, was revealing itself to him in all things.
They stood together like that for a long time. Then they began to talk as they used to do, but calmly and sensibly, like two human beings who now understood each other entirely and had no more to search for. Esther was quiet. The sight of the picture had moved her strangely, and made her happy because it restored the happiness of her dearest memory to her, because she had her baby back, but her feelings were far more solemn, deeper and more maternal than they had ever been in reality. For now the child was not just the outward appearance of her dream but part of her own soul. No one could take him away from her. He was all hers when she looked at the picture, and she could see it at any time. The old man, shaken by mystical portents, had willingly answered her desperate request. And now she could feel the same blessed abundance oflife every day, her longings need no longer be timid and fearful, and the little childlike figure who to others was the Saviour of the world also, unwittingly, embodied a God of love
L. E. Modesitt Jr.
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