slightly. âI could use a little help, Harvey,â he said.
Grossbart looked surprised, as if he thought Corman was about to ask for a handout. He said nothing.
âI need to find out some things about this woman,â Corman told him.
âWhy?â
âIâm trying to work up a story.â
Grossbart shrugged. âItâs not my case. You need to talk to Lang.â
Corman shook his head.
âYou got something against him?â
âThe way he is,â Corman said.
âThe perfect combination,â Grossbart said with a slight sneering smile. âStupidity and corruption.â
Corman nodded.
âBut the way it is, you got to work with everybody,â Grossbart said. âLike a friend of mine said, âBirth ainât a screening process.ââ
Corman smiled.
Grossbart took a draw on the cigarette. âWhat are you after?â
âJust call it a gig,â Corman said. âI want to track her down a little.â
Grossbart shrugged. âSo go ahead. Itâs a free country.â
âHow could I find out who she was?â Corman asked.
âWell, the only guy besides Lang whoâd know about her ID right now would probably be Kellerman at the morgue. Heâd have to have a confirmed ID before he could release the body.â
Corman nodded.
Grossbart looked at him curiously, with a hint of disappointment.
âYou never struck me as the grab-for-the-brass-ring type,â he said.
Corman thought of Lucy. âDepends on the ring, I guess,â he said as he gathered up his things and headed for the subway and the morgue.
* * *
Sanford Kellerman was the assistant ME in charge of the morgue. He was just finishing up an autopsy when Corman walked into the dissecting room. Body parts were scattered here and there, some in jars, some in transparent plastic bags, and the smell, despite the heavy doses of disinfectant, was almost more than Corman could stand.
Kellerman nodded as Corman stepped up to the table. âWhat can I do for you?â he asked.
âThere was a suicide last Thursday night,â Corman said. âIn Hellâs Kitchen.â
âThe one on 47th Street?â Kellerman asked. âJumped out the window?â
Corman nodded.
âAll the workâs been done already,â Kellerman said. He picked up a severed hand, dropped it into a transparent plastic bag. Then his eyes shot over to Corman. âYou look familiar.â
âWeâve met before,â Corman told him.
âOh yeah,â Kellerman said. âI remember now.â He sunk his hands deep into the meaty open cavity of the body on the table. âThatâs right, youâre a ⦠a â¦â
âPhotographer,â Corman said. âFree-lance.â
âYeah,â Kellerman said. âYou came down about a year ago.â
âTo shoot a few faces,â Corman reminded him. âI had a death-mask idea.â
Kellerman laughed. âDeath mask, huh?â He shook his head. âEverybodyâs interested in the morgue except the people who work in it.â He laughed again. âSometimes I want to get one of them down here to clean out the condensation drains. That would give them a taste of what itâs really like. You have somebody crawl up a pipe and scoop out a handful of maggots, thatâll be the last of their interest in the morgue.â His eyes returned to the body. âSo what are you interested in now, more death masks?â
âThat woman I mentioned,â Corman said. âDid anyone come down to identify her?â
Kellerman nodded. âSurprising, too. Like they say on the street, a zip-top piece.â
âShe was Jewish?â
Kellerman smiled. âUnless she was trying to pass,â he said.
âNameâs Rosen. Sarah Judith Rosen.â He shook his head at the thought of it. âYou know, we donât get many nice Jewish girls down
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