you capture all these creatures, these innocent unsuspecting helpless creatures. Then you make them suffer the torture of transportation. Then you subject them to the torture of being caged. And after all that, you begin to be kind to them.â He laughed, a short sharp laugh. âOh, this garden, this garden . . .â
Eliza stared at him bewilderedly. âGood heavens, you mean that this garden should not exist?â
âOh yes, this garden has to exist! Too many Âpeople demand it, declare that it is useful, instructive, a cultural necessity, a joy to young and old! Too many Âpeople maintain that! But not I, not I! As for me, I have not even dared say that there never will be any true culture until people no longer find joy in caged animals, there will be no true culture until people no longer think of this garden as a place of enjoyment, but as a place of horror. . . .â
Eliza shrank back. The strange gentle old man, who really did not seem strange to her at all, Rainerâs father, seemed to be insane.
He seemed, too, to read this feeling on her face. âNo, Eliza,â he said, âI am not insane. I did not know the truth about this garden until I wandered through it with my sonâs farewell letter and recalled his words, which are verified so terribly at every turn.â
âA farewell letter?â Eliza trembled.
Rainerâs father nodded silently.
âDid he know then . . . ?â she asked, and began to tremble so violently that she had to support herself against the bars of the cage.
Rainerâs father bowed his head and was silent for a long time. His head still bowed, he began to speak at last in an infinitely weary voice.
ââMan is tormented and torments the animals.â That is what he wrote in his letter. I know it by heart, Iâve read it here so many times every day. Oh yes, the letter came, but it was all over by then. . . .â He could not go on.
âTerrible,â murmured Eliza.
âYes indeed!â He raised his voice a little. ââTis true âtis terrible, and terrible âtis true.â Then he added the incomprehensible word âPolonius.â
âHe also wrote: âCan I say as other men sayâ What do I care? No, itâs impossible!â And he wrote: âI feel all the sufferings of Godâs creatures, but all their sufferings are too much for me!â Too much, poor boy, poor dear boy!â His father was weeping with quiet, strangely dry sobs, that shook his body and forced a kind of twittering whistle from his breast. But presently he recovered his composure. Simply, like a man who has no part in what he relates, though his face was ashen-gray, he continued. ââIf none of the beasts of prey will take me,â he wrote, âand the beasts of prey are unhappy and broken, if none of them will take me, I will go to the elephant. He has a little pet that he protects, and can be made very angry. He is strong.â Yes, those are his words. âI will give myself to him as a sacrifice, an atonement for everything, for all. . . .ââ
âNo!â cried Eliza.
ââFor everything, for all,ââ repeated Rainerâs father. He laughed, a soft laugh. âA fool!â nodding emphatically as if in affirmation of his judgment. âYes, indeed, a fool! A fool whom God has punished! Everybody will say so! That is why the letter must remain secret! Shh! Shh!â He laid his index finger on his pale thin lips. âIâd laugh myself,â he tittered, âeven I, if he werenât my son.â His titter twisted into a stifled sob. âMy only son, who made me what I am. . . .â
Without another word he departed.
Chapter Twelve
Father and Son
T HE EARLY MORNING SUN ILLUMINATED the orangutanâs house. The bright May sun. Strong, warm, bursting buds.
Yppa sat holding Tikki, her baby,
Marc Cerasini
Joshua Guess
Robert Goddard
Edward S. Aarons
Marilyn Levinson
Xara X. Piper;Xanakas Vaughn
William Tenn
Ward Just
Susan May Warren
Ray Bradbury