with easy obedience. She was a good stepmother and that was all right with Alois Junior, and also with Angela, especially since they had been told by their father that Fanni had been crazy.
Klara did not plan to speak with such open enthusiasm to her stepchildren about the newborn, but she could not help herself. The beatitude was in her eyes. Adi was giving every indication that he would still be there tomorrow.
Breast-feeding fed this certainty. She was putting her own strength into him, her ready nipple never far from his mouth. Some of our minor devils, who passed over Braunau at night, would report that her prayers were more heartfelt than those of any other young mothers living nearby. Devils, obviously, have minimal attachment to the sentimental, let alone the heartfelt, but one or two were bothered. Klara’s prayer was so pure: “Oh, Lord, take my life if it will help to save his.” Other women, being more practical, complained to God about what was missing in their days. The most greedy were always looking to own a better house. The stupid were looking for a surprisingly good lover, “yes, if you permit it, Lord.” There was rarely a sweet for which they did not pine. Klara’s prayers, by contrast, yearned to give long life to the child.
While the Maestro was not often sympathetic to breast-feeding since its absence could stimulate ugly energies we could later employ, he was more tolerant in cases of first-degree incest. Then he wanted the mother to be close indeed to the child. All the better for us! (A monster is most effective when it can call on mother-love with which to charm new acquaintances.)
Excretory dramas also offer advantages. A dirty butt on a baby can send a signal—the mother may be a potential client for us. The opposite is also of use. Klara proves a fine example here. She always kept a clean house. Her rooms at the Pommer Inn were now as spotless as any home tended by several good maids. The furnishings gleamed. So, too, was Adi’s pip-squeak of an anus kept as immaculate as an opal, small and glistening, and of that, too, did I approve—an incestuary must always be kept aware of the importance of his or her excrement, even if it comes down to a little asshole that is forever being polished.
2
N
ot long after Adolf was born, Alois decided to leave the Pommer Inn. This move amounted to his twelfth change of address in Braunau over fourteen years. But Alois had good words for the Pommer: “It has elegance. I don’t know that I would use the word for much else in this little city.” He had a dozen such remarks to enliven a hundred situations of small talk. “Women are like geese,” he was ready to say. “You can recognize them from behind.” Heavy tavern laughter would follow, even if none of them could explain what was so particular about the rear end of a goose. Or, when speaking to fellow professionals: “To pick out a smuggler is easy. Either they look like the wretches they are, or they are too
good to be true. They dress too well, they speak too well, and the amateurs always work very hard at looking you in the eye.”
When asked, however, why he had moved from the Pommer Inn after a residence that had lasted for four years, he would shrug. “I like a change,” he would say. The truth was that he had used up the waitresses, chambermaids, and cooks at the Pommer who were not too old or too ugly, and he could have added (and did to one or two friends), “When a woman goes dry on you, change your house. That can put a little oil in her.”
On the day when the Hitler family left the Pommer Inn, he had, however, a most uncharacteristic thought. It was that fate could yet choose him for high position. I will remark that his idea of high position was to become Chief Customs Officer for the provincial capital of Linz. Indeed, fate would yet give him exactly that post. Never superstitious (except when he was), Alois decided that the shift from the Pommer Inn to a
Klara did not plan to speak with such open enthusiasm to her stepchildren about the newborn, but she could not help herself. The beatitude was in her eyes. Adi was giving every indication that he would still be there tomorrow.
Breast-feeding fed this certainty. She was putting her own strength into him, her ready nipple never far from his mouth. Some of our minor devils, who passed over Braunau at night, would report that her prayers were more heartfelt than those of any other young mothers living nearby. Devils, obviously, have minimal attachment to the sentimental, let alone the heartfelt, but one or two were bothered. Klara’s prayer was so pure: “Oh, Lord, take my life if it will help to save his.” Other women, being more practical, complained to God about what was missing in their days. The most greedy were always looking to own a better house. The stupid were looking for a surprisingly good lover, “yes, if you permit it, Lord.” There was rarely a sweet for which they did not pine. Klara’s prayers, by contrast, yearned to give long life to the child.
While the Maestro was not often sympathetic to breast-feeding since its absence could stimulate ugly energies we could later employ, he was more tolerant in cases of first-degree incest. Then he wanted the mother to be close indeed to the child. All the better for us! (A monster is most effective when it can call on mother-love with which to charm new acquaintances.)
Excretory dramas also offer advantages. A dirty butt on a baby can send a signal—the mother may be a potential client for us. The opposite is also of use. Klara proves a fine example here. She always kept a clean house. Her rooms at the Pommer Inn were now as spotless as any home tended by several good maids. The furnishings gleamed. So, too, was Adi’s pip-squeak of an anus kept as immaculate as an opal, small and glistening, and of that, too, did I approve—an incestuary must always be kept aware of the importance of his or her excrement, even if it comes down to a little asshole that is forever being polished.
2
N
ot long after Adolf was born, Alois decided to leave the Pommer Inn. This move amounted to his twelfth change of address in Braunau over fourteen years. But Alois had good words for the Pommer: “It has elegance. I don’t know that I would use the word for much else in this little city.” He had a dozen such remarks to enliven a hundred situations of small talk. “Women are like geese,” he was ready to say. “You can recognize them from behind.” Heavy tavern laughter would follow, even if none of them could explain what was so particular about the rear end of a goose. Or, when speaking to fellow professionals: “To pick out a smuggler is easy. Either they look like the wretches they are, or they are too
good to be true. They dress too well, they speak too well, and the amateurs always work very hard at looking you in the eye.”
When asked, however, why he had moved from the Pommer Inn after a residence that had lasted for four years, he would shrug. “I like a change,” he would say. The truth was that he had used up the waitresses, chambermaids, and cooks at the Pommer who were not too old or too ugly, and he could have added (and did to one or two friends), “When a woman goes dry on you, change your house. That can put a little oil in her.”
On the day when the Hitler family left the Pommer Inn, he had, however, a most uncharacteristic thought. It was that fate could yet choose him for high position. I will remark that his idea of high position was to become Chief Customs Officer for the provincial capital of Linz. Indeed, fate would yet give him exactly that post. Never superstitious (except when he was), Alois decided that the shift from the Pommer Inn to a
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